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  • Macworld UK – December 2016
    November 18th, 2016 ⚡
    Categories: News

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    Macworld UK – December 2016

    English | 112 pages | True PDF | 12.22 MB

    Macworld magazine is the world’s best-selling Apple magazine, featuring in-depth reviews, expert advice, how tos and essential guides to Macs, iPads, iPhones and related products, as well as everything you need to know about Mac OS X, iOS and associated software including iTunes and more. If you are new to Apple and are looking for advice to help you get started, or if you are a Mac fanatic looking to justify your next buy, Macworld is the magazine to ensure you make the right decision. Macworld is created by an international team of experts based in London and San Francisco, join use every issue as we analyse the latest product announcements from the world’s biggest (and best) technology company.



    Viewed 4070 By Music Producers.


    • ARP2600 V v3.0.4.1141 macOS
      November 18th, 2016 ⚡
      Categories: Arturia, AU, macOS, VST, VSTi

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      ARP2600 V v3.0.4.1141 macOS

      P2P | 18 Nov 2016 | 226 MB

      With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool which still takes its place at the heart of today’s music. With a unique combination of semi-modular architecture and fixed preset routing, it gave it the place of being one of the most versatile synths of the 1970’s. The Arp 2600 was an iconic sound and Arturia has been faithful in recreating this amazing synthesizer. From the sound of the 3 oscillators to the original ‘grey face’ filter to the vast modulation routing abilities. You get all this and more.



      Viewed 4351 By Music Producers.

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      • UBK-1 v1.2.3 AU VST MAC OSX-OPENSSH
        November 16th, 2016 ⚡
        Categories: AU, macOS, VST

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        UBK-1 v1.2.3 AU VST MAC

        OPENSSH | 24.05.2015 | 39.6 MB

        UBK-1: It moves, it growls, it brings sounds to life.

        I did a master class , easily one of the most creative mixers ever to lay hands on a console. He told me he wanted me to stop thinking of compression as dynamics control and start thinking of it as a form of movement. UBK-1 is most definitely the result of taking that advice. I have way too much fun with its squishy mojo, the way it aggressively smacks sounds back into place, making them pump and move like living things.



        Viewed 10094 By Music Producers.


        • Matrix 12-V v2.0.4.1120 macOS-PiTcHsHiFteR
          November 12th, 2016 ⚡
          Categories: Arturia, AU, macOS, RTAS, VST, VSTi

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          Matrix 12-V v2.0.4.1120 MAC

          PiTcHsHiFteR | 12 November 2016 | 262 MB

          ENTER THE MATRIX

          The massively powerful Oberheim Matrix 12 has been resurrected at last. Using our TAE™ modeling techonology. we are able to recapture and bring you this beast of a synthesizer. Often coveted, rarely found for sale, and known as one of the greatest analog synths ever made, the Oberheim Matrix 12 was the crowning pinnacle of Oberheim products. Used by the likes of Joe Zawinul, Michael Brecker, Keith Emerson, Vince Clarke, Tangerine Dream, Nitzer Ebb, and many more, it is now available to you too.



          Viewed 6902 By Music Producers.


          • Graillon v1.2 AU VST WiN MAC
            November 9th, 2016 ⚡
            Categories: AU, macOS, VST, WiNDOWS, x64, x86

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            Graillon v1.2 AU VST WiN MAC

            P2P | 09.11.2016 | 3.11 MB

            Graillon is a new kind of voice octaver that tracks pitch frequency and mixes frequency-shifted copies of the input voice with itself.



            Viewed 3845 By Music Producers.

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            • ClipShifter 2 v2.3.3 AU VST VST3 x86 x64 WiN MAC-R2R
              November 6th, 2016 ⚡
              Categories: AU, macOS, VST, VST3, WiNDOWS, x64, x86

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              ClipShifter 2 v2.3.3 WiN MAC

              TEAM R2R | 2015.12.10 | WiN: 6.95 MB | MAC: 6.72 MB

              AU VST VST3 x86 x64

              ClipShifter is a clipping-style limiter that provides enough user controls to be useful in all mixing stages. ClipShifter uses a unique threshold control to change the clipping threshold dynamically based on the transient characteristics of the incoming audio. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression. Additional parameters allow the user to control the even- and odd-order components of the saturation.



              Viewed 7410 By Music Producers.

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