Record, edit, and create audio content with Audition’s comprehensive toolset, including waveform, spectral display, and multitrack. This powerful sound editing program is designed to accelerate audio and video production workflows and deliver the highest standards for audio quality.
Amplifikation Creme, featuring ultra-precise digitally engineered head and matching cabinets with built-in overdrive section consisting three kinds of legendary overdrive pedals built right to the amp giving you a full control of harmonically-rich distortion crammed with intense dynamics.
Guitar and bass tones, custom-made by four of the most iconic and trendsetting guitarists in modern metal. Metal Guitar Gods is an expansion pack for EZmix 2, focusing solely on amp and cab simulation presets for guitar and bass. It comes with everything from rhythm, lead and clean sounds to settings for acoustic guitar and bass. All content was custom designed by four of the most iconic and trendsetting guitarists in metal: Fredrik Thordendal (Meshuggah), Mattias IA Eklundh (Freak Kitchen), Misha “Bulb” Mansoor (Periphery) and Devin Townsend (ex-Strapping Young Lad, The Devin Townsend Project).
In the early 1960s Rickenbacker® history became forever wedded to one of the biggest music upheavals of the 20th century: the invasion of the mop-top Beatles from Liverpool, England. The Beatles created unprecedented, international interest in Rickenbackers. John Lennon would own at least four models, George Harrison’s double-bound 360/12 (the second one made by the company) defined a new tone at the other end of the audio spectrum. Its ringing sound embellished “You Can’t Do That”, “Eight Days a Week”, “A Hard Day’s Night”, “Ticket To Ride” to name just a few. Jim McGuinn made the bell-like quality of its tone the foundation of the Byrds’ early style. The Who’s Peter Townshend, Creedence Clearwater Revival’s John Fogerty, Steppenwolf’s John Kay, and many other well-known 1960s guitarists became faithful Rickenbacker® users. Groups like Oasis, Pearl Jam, Radiohead, U2, and other of today’s top acts include Rickenbacker® guitars in their musical arsenal. Rickenbacker® is the principal guitar of artists such as R.E.M.’s Peter Buck and Against Me!’s Laura Jane Grace, and many others.
There was something about older drum machines and synths that made them sound punchier and more pleasing than today’s clinically perfect sounds. “That Thing” is a multi effects processor that was designed to get you “That Thing” missing from digitally perfect tracks today. It features a beautiful wide and deep chorus section great to thicken anything from synths, vocals, bass, pads drums and other sounds. The soundscape generator features 50 samples of old vinyl players, tape machines, old radio, tube gear, atmospheres, ambiences etc. These ad to your sound with an envelop follower, so the sounds add in only when signal is present and move, and pan with the level of the signal. Easily change the pitch of the soundscape to make it work with any audio you pass through it. The plugin features a bit crusher and distortion that emulates the sound of vintage drum machines giving you a choice of 8/12/16 and 24 bit audio. There is also an analog Low Cut and High Cut filter section designed to shape your sounds further. A wet and dry fader is included to blend in the effects with your original audio.
AnalogStage emulates those sound characteristics usually associated with analog gear (saturation, hiss, non linear frequency response, etc.) and can be used to bring to your mix some analog console flavor if used on every channel or buss. AnalogStage simulates the response of three different types of analog technology: operational amplifiers (the cleanest and more modern technology), transistor (the discrete transistor designs were popular in the 70s and have some fat saturation) and tube (the dynamic and smooth saturation of the past). Every one of the three different type of emulation can be used inside the same project but for convenience you can create up to eight group of instances so that any change to the emulation type, age, hiss switch and saturation switch is applied to every plugin belonging to the group.
Spikes is a transient processor, thanks to it’s intelligent auto settings you need just one knob to manipulate the sound, but if you want to tweak it every control is there at your fingertips. Working with audio often happens that you need to manipulate peaks and body of the signal, sure you have compressors at your disposal but a compressor needs a fixed threshold to work, a plugin like Spikes on the other hand uses a relative threshold so you don’t have to worry about the level of the signal.
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Softube Special Edition Team R2R | HAPPY NEW YEAR! | 305.33 MB Special 4 Vintage Synthesizers. READ NFO: https://justpaste.it/d5hjn Softube Special Edition HAPP...
Voxengo Bundle 2022-4 MAC MORiA | 18 April 2022 | 483 MB ..:: AU, VST, VST3 (INTEL & ARM) ::.. Voxengo offers you high-quality professional DAW audio plugin...
RCD Acoustic Guitar v1.0 KONTAKT Team DECiBEL | 28 December 2022 | 6.52GB ..:: HAPPY NEW YEAR! ::.. This is not your typical acoustic guitar library. The RCD Ac...
Analog Lab V Pro v5.10.1 WiN Team V.R | 01 May 2024 | 3.33 GB STANDALONE/AAX/VSTi/VST3/x64 Analog Lab gives you streamlined access to 6500+ of the hottest prese...
XXL No Kick Vol.1 CDDA AKAi BUNDLE Teams: SynthX / KRock | 2003-2010 | 435,36 MB + 433,19 MB The new way in using drumloops... The first drumloop-collection wit...
polyKB III v3.6.4 x64 WiN Team R2R | 23 April 2023 | 91 MB Morphing analog Oscillators Simply the most versatile and powerful analog modelled polyphonic synthes...
Zone v1.2.2 VSTi WiN Team R2R | HAPPY NEW YEAR! | 95.9 MB At the heart of Zone is a powerful parameter sequencer that allows virtually every control to be assig...
