Geist2 is a streamlined environment for beat creation and sound sculpting that provides instant inspiration and new ideas for your productions. It combines deep sample manipulation, arrangement and modulation capabilities for an intuitive and fast workflow. Geist2 is designed so that nothing gets in the way of your creativity.
Austrian Grand piano was sampled from a 100 year old Bruder Mikula Wien Austrian grand through a pair of AEA R84 ribbon microphones into an AEA TRP ribbon microphone preamp. Prior to recording, the piano’s hammer felts were sanded down to warm them up a bit. The piano was sampled in stereo under the lid, because that’s where the tone sounded best, at a sample rate of 44.1 kHz. It took many weeks to sample the piano entirely, as it was in such a state that most of the tuning pegs could no longer hold a pitch for any length of time. The piano was sampled labriously, with the softest to loudest dynamics being played, resulting in a library that can boast 10 velocity layers and 2 note round-robin.
‘Gold Trigger VST’ is an individual 808 plugin especially written for this product.
Studio One® 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before. An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on. Studio One is your creative companion from start to finish. The Start page provides what you need to kickstart your creative process—open projects, set parameters, and check for updates and tips. From there, the Song page is all about recording, arranging, editing, and mixing your music with a complete set of virtual instruments, effects, and groundbreaking arrangement tools. Then, assemble and master your music in the Project page. Even better, the Project and Song pages are linked so if you need just that one little change in your master or stems, switch to the Song page, tweak, and mix back automatically to the Project. No other program accomplishes such an effortless transition as you move from the initial creative inspiration to the finished, mastered production.
Adventure, drama, fantasy, action or the borderless imaginary world of animation – without the aid of epic themes and soundtracks, most would fall flat. With an absolute weightless effort, music can set a mood, tell a story or convey an emotion. It is simply a language of its own. This EZkeys MIDI pack was inspired by larger-than-life movie themes, all with that bombastic blockbuster feel, and celebrates the ultimate power of music as a narrator and its majestic force as a storyteller. Whether for the silver screen, for when the curtain drops, the credits roll or for any song or idea that calls for a monumental touch, the Epic Themes EZkeys MIDI pack has something in store – from deceivingly ominous to full-on action-laden. Prepare for a veritable odyssey of epic MIDI themes that will have you create music that’ll send shivers down your spine.
Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain. Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.
Beats Drum VST, Au, and Kontakt sample library was created by sampling 3 drum kits and 14 different snares using different combinations of drum heads and tunings in an acoustically dead environment. The end result is a large drum sample library with interchangeable parts that sounds great no matter the combination. The various kits and drums were sampled utilyzing the Glyn Johns method. Drum overheads were a pair of Shure SM81’s, bass drums were recorded through an Audix D6, and snare drums were captured with a Shure SM 57, with various spot mics used to beef up the sound of the toms when needed.
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