🎵 MaGeSY® R-EVOLUTiON™⭐⭐⭐

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    EWQL Symphonic Orchestra Percussion Library

    TEAM DELiRiUM | 10-05-03 | DVD1: 3.64GB | DVD2: 1.4GB

    The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was recorded where orchestral instruments sound their most natural – in a “state of the art” concert hall. Listen to the pure beauty of the “critically acclaimed” Symphonic Orchestra and “state of the art” 125 million dollar Concert Hall that were captured, using custom built recording equipment, by audio legend – Prof. Keith O. Johnson – recipient of two GRAMMYS, plus eight additonal GRAMMY nominations for his 90 plus Classical Recordings. This is the first 24-bit orchestral sample library to include three simultaneous stereo mic setups (close, stage and hall), so users can mix together any combination of mic positions to control tone and ambience.


    Viewed 6975 By Music Producers & DJ´s.


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    EWQL Symphonic Orchestra Woodwinds Library

    TEAM DELiRiUM | 04-06-04 | DVD1: 3.97 GB | DVD2: 3.94 GB | DVD3: 3.95 GB

    DVD4: 3.94 GB | DVD5: 818 MB

    The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was recorded where orchestral instruments sound their most natural – in a “state of the art” concert hall. Listen to the pure beauty of the “critically acclaimed” Symphonic Orchestra and “state of the art” 125 million dollar Concert Hall that were captured, using custom built recording equipment, by audio legend – Prof. Keith O. Johnson – recipient of two GRAMMYS, plus eight additonal GRAMMY nominations for his 90 plus Classical Recordings. This is the first 24-bit orchestral sample library to include three simultaneous stereo mic setups (close, stage and hall), so users can mix together any combination of mic positions to control tone and ambience.


    Viewed 9318 By Music Producers & DJ´s.


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    Intergalactic Robot Orchestra MULTiFORMAT

    AUDIOSTRiKE | 12/07/2015 | 1.63 GB

    Hurtling through space and time, transmitting supersonic beams of melody and wonky beats that will send you into Hyperdrive, Intergalactic Robot Orchestra weaves together futuristic Hip Hop science with twinkling rays of melodic frequency and deep space chord progressions. Coming from a planet where wonky Hip Hop and Future Beats rule the airwaves, this epic collection of twisted one shot samples, sample mapped audio loops and funked up future melodies, grooving basslines, hypntotic spatial elements and swung Hip Hop beats contains all the material needed to fuel your next adventure into sonic exploration. Influenced by the likes of J Dilla, Flying Lotus, DJ Premiere and Madlib, the sample pack is jammed full of 1.3GB of Hip Hop loops and samples and available to download in 24 Bit Wav, and Acidized Wavs. All formats include sampler instruments for Kontakt, Halion, Ableton Sampler, Reason NNXT, Mach 5, Maschine and SFZ and are 100% royalty free and ready to go!


    Viewed 4495 By Music Producers & DJ´s.


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    Complete Orchestra Voice Bank v2.0 For Mostif ES

    P2P | 09.07.2015 | X0A | 128.14 MB

    The best, most expressive and comprehensive orchestral library for the Motif XS is now at version 2.0! “Complete Orchestra XS” consists of 256 user Voices, 128 Performances, and 6 ready-made song mix templates utilizing almost 211 megabytes of samples. Everything you need to do complete orchestrations is presented in Complete Orchestra – from expressive string sounds (large, medium, and small sections and solo instruments) to natural sounding brass (ensembles and solo instruments) to woodwinds to orchestral percussion and special orchestral FX (including an 1812 cannon!). “Complete Orchestra” also includes new grand piano, harpsichord, celesta, harp, bell and choir voices which utilize Motif XS’ existing waveROM.


    Viewed 4909 By Music Producers & DJ´s.


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    The MIDI Orchestra Designing Templates TUTORiAL

    SYNTHiC4TE | June 05 2015 | 356 MB

    You need an orchestra to play orchestral music. Likewise, you need an orchestral template to play a MIDI orchestral score. This course, explains the technology and the craft behind designing pro orchestral templates. As a follow-up to Peter’s popular “Enhancing Realism” course, “Designing Templates” shows you everything you need to know to construct your own orchestral templates. You learn about sampling technology and how it works, as well as how to optimize your hardware (and software) to get the most out of your MIDI orchestra. Then, Peter dives into the plugins, including East West, Native Instruments and more, explaining the ins and outs of multi-timbral and multi-output setups. With that knowledge well in hand, Peter gives you all the tools and tips you need to construct an orchestral template that’ll work perfectly with your specific hardware and software.


    Viewed 4315 By Music Producers & DJ´s.


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    Miroslav Vitous Orchestra

    String Ensembles Version 2.0 EMU

    Team CHiC | 2003/05/05 | 397.70 MB

    One might say to die for, but perhaps it would be more advisable to stick around and enjoy these first-rate sounds, created by the ex-bassist of Weather Report and an unnamed European orchestra. Digitally recorded in stereo throughout, the ensembles retain just the right amount of ‘hall’ in the sound. Expensive, but very good. The first version of this library had no loops, to the bemusement of keyboard players everywhere, but version 2.0 (reviewed here) contains looped sounds. However, Miroslav Vitous himself considers the unlooped samples superior in quality and strongly urge-using them for mastering, which is fine as long as your composition doesn’t employ any very long notes!


    Viewed 6648 By Music Producers & DJ´s.


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    Miroslav Vitous Orchestra

    Woodwind Brass Ensemble Version 2.0 EMU

    Team CHiC | 2003/05/05 | 392.36 MB

    One might say to die for, but perhaps it would be more advisable to stick around and enjoy these first-rate sounds, created by the ex-bassist of Weather Report and an unnamed European orchestra. Digitally recorded in stereo throughout, the ensembles retain just the right amount of ‘hall’ in the sound. Expensive, but very good. The first version of this library had no loops, to the bemusement of keyboard players everywhere, but version 2.0 (reviewed here) contains looped sounds. However, Miroslav Vitous himself considers the unlooped samples superior in quality and strongly urge-using them for mastering, which is fine as long as your composition doesn’t employ any very long notes!


    Viewed 7302 By Music Producers & DJ´s.


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MaGeSY ® R-EVOLUTiON™⭐⭐⭐