New School Of Trap WAV MiDi

Team AUDIOSTRiKE | 28 June 2014 | 260 MB

Trap Construction Kits / from 130 to 160 BPM

Beats maestro Futuristic Groove changes up the usual game and turns in 10 full blown trap construction kits, ready to help you rock those subwoofers properly. Featuring 10 key and tempo labeled fully stripped construction kits, the pack is broken down into individual kit folders where each element is exported separately (i.e. Kick, Hat, Snare 1, Snare 2, Clap, Drum Roll, Sub Bass, Perc 1, etc.) along with a full mix for reference. All the musical content is exported both DRY & WET so you can treat the DRY signal as you wish with the help of your favourite effects & processors. Ranging from 130 to 160 BPM, all of the kits come with MIDI files for all musical elements (i.e. Bass, Lead, Additive) and drum elements too (i.e. Kick, Hat, Snare Rolls) When exporting each element, LITTLE TO NO MASTER-BUS processing like compression, limiting, eq, saturation, etc., was used. You can mix & match between kits for multiple possibilities. All samples are presented as 24-bit Wav files. 10 fully stripped construction kits as WAV and MIDI files

New Features Explored Pro Tools 11 TUTORiAL FREE

FREE | Format: MP4 | Size: 274 MB

This FREE 40-tutorial course reveals, explores and explains all of the new and noteworthy features introduced in Avid’s Pro Tools 11. Get up to speed in a hurry and find out what makes PT11 the best Pro Tools ever… ProTools 11 is one of those stealth releases. It looks kind of the same at first glance, but then you dig in deep and see that it’s really quite profound! That’s because a lot of its major new features are under the hood. And yet, there are so many enhancements, we brought aboard Protools expert Roy Vargas to show and explain them all in this amazing FREE course! “Exploring Pro Tools 11” dives into the new 64-bit architecture, the offline bouncing, advanced metering, mixing and new plugins. It also examines the improved sends, bussing and video tracks and way too many other new features to list here. So kick back, turn the dial up to “11”, and watch as Roy explains them all in great detail helping you understand the immense power of PT11. Be sure to check our huge library of ProTools courses and learn everything there is know about recording, editing, mixing automation and more!

The New Alien Drum KONTAKT

Team SONiTUS | 31/05/14 | 2.67 GB

The New Alien Drum (aka Hang Drum by Pan Art) is a unique tone based percussion instrument, which is almost impossible to come by, since there is only one maker in the world and less than 1000 drums in circulation. The instrument has a soft, sorrowful, melancholic tone to it and is a perfect companion for emotional or ambient type of scores. The Alien Drum is unique in the sense it was recorded at an average of 15 velocity layers and with 10 round-robin repetitions pr. layer/note, so you will never experience any repetition in the articulation. We used custom microphone set-ups to capture the delicate resonance both inside and outside the drum, since the resonance defines the true sound of the drum. Additionally we sampled multiple playing techniques with fingers, palm, slaps, hand brushing and the back-side of the drum, which has the similar properties to the Udu. Multiple versions of all multis allow for a variety of ways to switch or fade between articulations while playing.

SWA Cakewalk Sonar X3 New Features TUTORiAL

TEAM MAGNETRiXX | 22 May 2014 | 444 MB

In this series of videos Streamworks Audio’s Karl Rose takes an in depth look at Sonar X3’s new features and plugins. These complement the SWA Complete Sonar X2 video tutorials, updating the changes and adding the new features. We will take a look at the changes and enhancements to the Skylight interface, including how to use the new track colour widget. Explore the new PC EQ flyout and tube emulator module. There’s an in depth look at the overhauled comping tools in Sonar X3 with a couple of different workflows to get you up to speed with the comping overhaul. Learn how to set up and use Gobbler for collaborations, sharing and backup.

New Dirty Tech WAV

Team MAGNETRiXX | 10 March 2014 | 97.6 MB

Mexican DJ and producer, Jeremy Bass presents another one of their sounds in these 8 years, Bass has worked without numbers of track original & remixes for major labels around the world, and remixes for artists. Mc Flipside, Muzikfabrik, Outcode, Mijangos, Rio Dela Duna, Yas Cepeda, Joy Marquez, Danniel Selfmade, Vicente Ferrer & Victor Perez and many more, his music had the support of great artists like, Roger Sanchez, Umek, Mike Vale, Siwell, Dirty Secret, Coqui Selection, Jerry Ropero, among others, Generes: Deep House, House, Tech House, Techno…

New School Deep House Sylenth Presets

Team MAGNETRiXX | 11 February 2014 | 93 KB

Huge collection of great New School Deep House Presets for one of the best software synthesizers – Sylenth!
These presets perfectly suited for producers of Deep House, Tech House, Progressive House, House, Techno and any other genre. Inspired by such artists like John Digweed, Guy Gerber, Gui Boratto, Satoshi Tomiie, Nick Warren, Laurent Garnier, Maceo Plex, Pryda and Toolroom, Defected, Tsuba, Get Physical Music, Off Records and etc. If you like their sound too, then this sample collection is 100% for you!

Minimal 16BiT 24BiT

FULL KONTAKT HAPPY NEW YEAR

TEAM MAGNETRiXX | 01 January 2014 | 29.9 GB

With Minimal, SNK BV delivers the fourth instalment in our current range of orchestral instruments. We have listened to our users, and built an entirely new system from the ground up, defining what we think is a revolutionary novel direction in orchestral pattern-based sampling. Minimal would suggest a particular music style, and many of the patterns available in this instrument are very well suited for that style. However, we’d like to stress that this is indeed a very flexible instrument, capable of enhancing a broad range of musical arrangements and compositions in a wide variety of styles. Where Minimal differs from libraries like Tutti and Vivace is in its section-based approach. All phrases are recorded per orchestral section and can be used separately or together and in any combination, allowing for a great deal of variations at your fingertips.