Capture Nebula Room programs from the 3000 reverbA continually growing collection of Factory & User defined programs. (Check for newly added programs). The hardware 3k is arguably the most realistic “room simulator” on the market hands-down.
Capture Nebula programs from the H3500 reverb continually growing collection of Factory & User defined programs from the hardware 3500 reverb. Captured via Lynx conversion @ 24/48k.
KRG It was one of “K” first major successful portable analog monosynths and even today it is still a great little machine! In addition to two analog oscillators, it featured two resonant VCFs (voltage controlled filters). The VCF section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. It makes a great alternative for MMG. KRG sounds fat, round, punch and percussive. The circuit has been refurbished.
Part of the proceeds of this work support my chosen charity, this is an orphanage that I am the patron of in my native Zimbabwe.
Full commercial package size is 500 MB. 21 Presets. Provided at 192 khz, 96 khz and 44 khz.Please note that these require a fully licensed Nebula Pro license to enjoy. This piece is based on a genuine vintage EMI microphone amplifier section that I managed to track down. A custom made and modified unit optimised for modern recording, it has a 50 Ohm /200 Ohm preamp section and a DI/Line level input. Making your audio full,warm and with a subdued high end to cure harsh highs if you’re looking for something really close to the EMI REDD 47 preamps/ amplifiers, then this may help you get a little closer. The magic is in the transformers. Pair this with Waves REDD plugin to get close to the mojo of the real unit – errr perhaps. Either way, you will love what it does to your audio – especially vocals.
Designed in the ’70 era by Moog, this rare 2 unit rack is a clean parametric equalizer and it is revered even today for its performance and quality, especially on electric bass, synth bass, electric guitars, synthesizers and voice. The line amp has a drive knob which gives harmonic saturation up to 10dB, the bell filters allow to cut and boost to over 20dB. The programs: Carefully sampled @96kHz and @44.1kHz in a professional recording studio with hi-quality audio and digital cables and master grade converters with audio levels perfectly matched and calibrated. They are precisely programmed without normalizing or other destructive digital processing. The programs don’t sound processed, harsh or digital as most plugins do, but instead sound like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.
Anyone who has ever wanted the ultimate tube compressor that can bring a vocal forward, add a little air, hold the dynamics in place and add a size and dimension to the audio without that audio getting cloudy has realized their wildest dream!! This compressor personifies all that is good and right with tube compressors that actually use the tube in the gain reduction circuit. Two compressors sampled here: Mixing and Mastering from last release 12/2011, the Mastering unit has Mullard and Siemens tubes.
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