Get the signature sound of the UK’s most famous nightclub on your digital audio workstation! Our new convolution reverb allowing users to get the signature sound of the UK’s most famous nightclub on their digital audio workstation. -Offers 21 different points within the nightclub including booths! So you can “stand” wherever inside the club!
The LVL-01 is an A.I./M.L.-based audio compressor with a unique Thick, Punchy, and Dirty/Crunchy sound. The LVL-01 is the world’s first real-time Machine Learning / A.I. based audio compressor plugin. LVL-01– is an emulation of a customized analog gates sta-level compressor.
Neural Q gives your music a very “analog” sounding Top-end sparkle and “heavy” bottom end seldom found in plugin equalizers. The pre-amp section has been accurately captured from a solid-state modern pre-amp with cinema transformers. A.I / Neural Network-Based Eq and Saturation Plugin.
Reelight Pro is a tape saturation plugin with many features for getting an authentic tape vibe and also some of the desirable artifacts associated with tape. The plugin authentically emulates tape saturation/compression, overall sound, and vibe. We bring you 6 tape machines at 2 speeds and various levels of sampling and modeling to get the most authentic sound possible to date!
The Firechild includes 4 models of the Vari-Mu Compressor ranging from Tube Versions (A/B/C) to a transparent version accurately sampled and emulated from the originals of the 1950s. Use this for the Master, or individual tracks, you will be pleasantly surprised!
Black Q is a 4 band Tube Eq with 2 modes of saturation. These are modeled from analog equipment featuring Sowter and Lundahl transformers and Various Tubes. A NEW AND IMPROVED VERSION OF BLACK Q – V2, NOW FEATURES OVERLAPPING BANDS AND NEW FREQUENCY RANGES AS WELL AS OVERSAMPLING FOR MORE “ANALOG” BEHAVIOR
OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.
