M-Loudener is the ultimate tool for increasing loudness while preserving dynamic range and clarity. Get ready to create more headroom for your tracks with ease!
They say you should never give away the secret ingredient. Well, we just did!
They say you should never give away the secret ingredient. Well, we just did!
They say you should never give away the secret ingredient. Well, we just did!
Here is our first plugin – the Sausage Fattener! People always ask us how we get our greasy sound…here is the answer. Hook up this fat bastard to your favorite DAW (AU and VST on both PC/Mac) and get dirty. The plugin is already used by Tiësto, Kaskade, Diplo, Laidback Luke and others (see below for more). The Sausage Fattener only has two knobs. But don’t be fooled. With those seemingly simple parameters you can create loads of different sounds. Use the Sausage Fattener on a single channel with moderate settings as a musical compressor. Turn it up and you have a dirty bastard of distortion. But you can also use the plugin on a bus (for example all the drums and the bass) or the whole track as a mastering plugin The Sausage Fattener is used by Tiësto, Kaskade, Diplo, Laidback Luke, Chuckie, Sebastian Ingrosso, Dirty South, Hardwell, Angger Dimas, Frank E, Zedd, Lazy Rich, Dimitri Vegas and Like Mike, Marcus Schossow, John Dahlbäck and many other DJ/producers.
AI-powered drum machine plugin with Infinite Sample Generation. DrumNet is not just another sample-based drum machine. Using state-of-art AI technology, it allows you to easily create your own drum samples in any music genre and modify them at will, without any technical knowledge.
GSi Mini Orchestra is a sample-playback synthesizer based on a selection of high quality stereo samples with long loops, that helps reproducing the sound of a symphonic orchestra easily and quickly. It offers 9 sections including: bass brasses (tubas, trombones), cellos and contrabass, french horns, woodwinds (flutes, oboe, fagotto), treble brasses (trumpets and trombones), treble strings (violins, violas), choirs, glockenspiel and percussions (timpani and cymbals). Each section can be programmed independently to have a given response to velocity, expression pedal, aftertouch, and velocity zone. The “aftertouch lag” parameter lets you adjust the response to the aftertouch messages in order to obtain smooth dynamic transitions.
