The Ultimate Ableton Templates Pack, that every new trance producer must have! After numerous requests from our customers, we have taken yet another pack.
When we recorded the White Grand and the White Sister our goal was not to create ”the ultimate Grand Piano”. Since a Grand Piano can be used in so many ways, from playing Mozart to hammer out Jerry Lee or Little Richard stuff and everything in between, we realized that there isn’t anything that could be considered ”The ultimate Grand Piano” in the world of multisampled instruments We wanted to make the ”Ultimate Studio Grand Piano” that would work in a recording session for more contemporary styles of music. It would simply sit well in a mix! We very lucky enough to find this fantastic instrument, an old, LARGE, Malmsjö Grand piano from around 1910, that had the clarity needed to work in a modern production, but also, at the same time, had the richness at well contoured bass side that would provide the power needed on the lower part of the keyboard without getting muddy.
• …plus a further 16 ‘Mongo Specials’ faithfully copied from the sweltering, febrile brain of Mongo • Simple but powerful control set including Tilt EQ, Filter and Amplifier so you can craft your own sounds • Velocity-to-volume and Velocity-to-cutoff retrofitted for even more expressive options • Classic sounds for 20c per patch! The Korg 770 may be small, but it’s mighty – not in a MiniMoog way, more in a BBC Radiophonics Workshop synth-puppy way. From a handful of wires and diodes comes all manner of frankly amazing and wonderful sounds, thanks to some pretty barmy topology and a whole load of unusual surprises: the Chorus wave on Oscillator 1, or the two forms of ring modulation built right in, or the musically brilliant Scale Noise which we’re now nicking and building into all our new synths. (Why doesn’t Scale Noise turn up everywhere? It’s amazing!)
We can’t leave our Sinclair ZX Spectrum alone. Not only can it do awesome drums (see SpecDrum 2000) and print rude messages about your mates on shiny thermal paper, it can also do RO-BOT VOI-CES! That’s right, we got ourselves a Currah MicroSpeech attachment for the Speccie. This little black plastic box of tricks did for voice synthesis what the SpecDrum did for drum sampling: that is, slotted it right into the back of your home computer. Once the MicroSpeech was installed, every key press you made on the Spectrum’s boingy rubber keys was announced through your TV speaker in glorious, robotic monotone. RUN. EN-TER. SPACE. BREAK. B-B-B-B-BREAK. Being in charge of a talking Spectrum is the next best thing to piloting the Starship Enterprise. Probably.
SYNTHS DX is a collection of inspiring sounds for creating subtle cinematic atmospheres, deep, wide sci-fi pads for film, videogame,ambient and synthwave music production. With its 60+ instrument presets you get a palette of colors for your next track. All samples are recorded key-to-key in 24 bit 48kHz. We captured these sounds with analog gear and by applying the minimum
software post-production process to keep these patches rich and fresh. This boutique library contains 9 analog and pcm synth gears such as DAVE SMITH OB6, MOOG MINITAUR, MOOG SUB 37, NOVATION X STATION, NORD LEAD 2, OBERHEIM MATRIX 6, OBERHEIM MATRIX 1000, ROLAND SUPER JV & YAMAHA DX7. We recorded and designed these synths in Budapest and Los Angeles during the summer of 2018.
MELT is a fascinating instrument that allows you to create highly complex sounds, ambiances and textures in an extremely easy way. You are able to blend between 4 of MELT’s beautifully varied and inspiring sound sources and thus create unique, interesting and inspiring sounds. MELT´s sound sources come from different areas, which are named Pure, Floating, Organic, Field Recording and Granular. In summary it is a complex arsenal of sounds and sources which provides on the one hand numerous sounds and instruments of our own library such as organs, synths, e-pianos, pads and resampled sounds of the legendary downbeat box and on the other hand specially processed sounds, field recordings and finally sounds created by granular synthesis and freeze functions. This collection is already unique, but in the mixture among each other it results in highly complex, novel and interesting sound structures.
LYRICAL VIOLIN PHRASES is the third installment in Sonuscore’s “Lyrical” Series – inspiring instruments for cinematic and creative scoring. Unafraid to take the spotlight, LYRICAL VIOLIN PHRASES offers the bold, passionate and high quality solo magic that traditional sampling has yet to achieve.
