Max for Live Essentials is a collection of audio effects, MIDI effects, drum synthesizers and control devices made with Max for Live, exclusively for Live 9.
UZZ 3.0 is a Max For Live device inspired in the step sequencer created by Len Sasso for Logic Audio. Redesigned and reviewed for the new Ableton technology and taking advantage of the ability of Live 9 to automate and map any parameter from his interface. We have created a totally optimized and new fascinating device.
Chord-O-Mat 3 is an advanced composition tool and chord generator if you work with ableton live. It helps you to create chord progressions, melodies or just give you inspiration if you stuck in creativity. modifiing chords by adding octaves, transposing, chord inversions and strumming is also possible. Chord-O-Mat 3 makes creating chord progressions fun and easy with single-note presses and a scale correction to stay always in the right key whatever you play. with the Instant Scale Device you can replace abletons native scale device and synchronise the scale settings for all your midi tracks in your ableton live project. you can improve your songs and arrangement with various sequences that react on your chords, because the Instant Scale device can follow the chord progession of chord-o-mat 3. Same scale setting for multiple devices. chord-o-mat 3, scale-o-mat 4and modular sequencer are enabled to link the scale settings. if you change the scale in one device all other devices will follow.
Scale-O-Mat 4 is great for composing music and for plaing live, to change the scale and the rootnote on the fly and always stay in the same scale. No matter what style you’re playing, from soundtracks, orchestral works, EDM, drum & bass or rock music – Scale-O-Mat is a great helper to play always the right notes. Scale-O-Mat 4 is the perfect companion for beginners and also for professional musicians. If you want to experiment with musical scales or even to keep the Scales of your whole Liveset under control. Create up to four independent Groups of Scales or Chords or even Notes to manipulate random sequences and bring them to new musical harmonies.
J74 BassLine is a plug-in for Ableton Live (Max for Live) specialized in bass line progressions. The key idea behind this device is to have a single, flexible tool for bass line programming which combines both rhythm and harmony together. In terms of rhythm J74 BassLine makes use of groove, swing, legato, glide, accent and humanize dynamics. From the harmony point of view the tool works having knowledge of scales, chords and progressions, combining these with the rhythmic pattern creation. The bass-lines get automatically adapted to the progression, on a chord by chord basis, remaining in-key to the selected scale (if you wish it to). This works at its best when J74 BassLine is combined with J74 Progressive (another J74 tool set), in Linked Mode. By combining the two tools you have a single, integrated environment for quickly sketching harmonic and rhythmic material in Ableton Live.
Modular Sequencer is a Max for Live Step Sequencer for Ableton Live 10. The Modular Sequencer is a very flexible Sequencer, where you can patch every module with any other. You can create Sequences from concrete & repetitive to totally endless & random. The eight Sequencers can run in Sync or every single Sequencer can with it’s own speed. Four of the eight sequencers are Trigger Sequencers to Trigger or to switch actions. The other four Sequencers can send out Values and Triggers (thru the Threshold)
Whether you are building hi-tech weapon effects for a blockbuster sci-fi shooter, or creating complex layered transitions for a cutting edge electronic music project, Microsphere delivers an extraordinary palette of sound that will take your productions into uncharted territory. By recording electromagnetic fields with special equipment, Glitchmachines designer Ivo Ivanov has captured a collection of hidden sounds, including audible data transmissions, noise-beds, code sequences, noise bursts, and other aural artifacts normally concealed from our sensory perception. Every imaginable source was captured, including scanners, cameras, toys, modems, hard drives, tools, appliances, motors, and much more.
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