IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. This new version has an added EQ section. There are two (boost only) bands with two frequency selections each. The EQ is worked into the Variable Mu tube gain structure. This means it is not before or after the compression section, it is within it. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. There is also a two frequency low cut for tightening up out of control bass. The boost of the bands can be 5dB or 3dB split between 5 steps. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. It sounds absolutely fabulous.”
Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Nothing is smashed here, everything breathes and shines while the MagicDeathEye will smoothly glue your audio signal together in that warm and almost elegant way only expensive tube compressors can. Already now a legendary piece of hardware, the MagicDeathEye compressor is just to good to be exclusively available only to some of the greatest studios in the world. After almost a year of careful circuit and signal analysis. Staying extremely close to its hardware role model while still keeping the CPU load at a very reasonable level, we sincerely believe that the answer to the ever-old question “Do I really need another compressor plugin” is a resounding yes for this one!
Introducing Comet – a reverb of unparalleled lushness and versatility. Envelop yourself in breathtaking textures of sheer beauty while creating living, breathing space in real time with Comet’s unique preset morphing capabilities. Experience trails of beauty that are pristine, dramatic, and one-of-a-kind. Comet is designed to create beautiful trails of sound. It does not aspire to model the physics of a room. Instead, it captures the essence of a beautiful reverb. Once you hear it, you’ll fall in love. Enhance your vocals, melodic instruments and drums alike, and add a special quality to your musical textures and sound effects.
The PIM Bundle includes three of Polyverse’s groundbreaking plugins, offering a full suite of cutting edge tools for audio creation, shaping and performance. The PIM Bundle contains Manipulator, our extreme voice modulator, Gatekeeper, our volume modulator, and I Wish, the original pitch freezer plugin. The PIM Bundle is extremely versatile and useful in a variety of different ways, and works especially well when its plugins are used together. All the plugins in the PIM Bundle were created, developed and tested by IM to allow users to access their own sounds, but also be able to create new, unique sounds and textures never heard before.
BLEASS is a music tech company based at Plaine Images, the main european hub dedicated to creative industries in Tourcoing, France. Founded in 2018, BLEASS aims at engineering high quality digital instruments for all musicians.
