Korg OASYS KONTAKT

P2P | 08 December 2016 | 312 MB

BEST SOUNDS! OVER 9 Amazing Sounds Off of KORG OASYS Keyboard

KORG Opsix Native macOS

MORiA | 19 December 2024 | 297 MB

..:: AUi, AAX, STANDALONE, VSTi, VST3i ::..

Opsix is a digital synth unlike any other, with sounds to match. Instantly explore hundreds of fresh, cutting-edge sounds to inspire your next musical project! Go even further with the power of customization right at your fingertips. Front panel colored controls provide easy access for dramatic shifts in sound characteristics, from icy, sparkling chimes to fuzzy, deep basses. The opsix is an entirely new tool that reveals a world of frequency exploration and a wide range of dynamic possibilities.

KORG multipoly Editor Librarian

MORiA | 07 March 2025 | 45 MB

Patch exchange between multi/poly and multi/poly native: Sounds created with multi/poly or multi/poly native can be used interchangeably, transcending hardware and software boundaries. To import and export sounds, use the Librarian page in multi/poly native, and the multi/poly Sound Editor/Librarian for the modwave hardware. For detailed instructions on how to use the multi/poly Sound Editor/Librarian, please refer to the user’s manual that comes with the multi/poly Sound Editor/Librarian.

MS-20 V v1.3.3 macOS

MORiA | 02 May 2025 | 588.84 MB

..: AU, VSTi, VST3, AAX, STANDALONE :..

KORG MS-20 V Primal black monolith.. KORG MS-20 V is a virtual instrument for sound explorers in search of the meaner side of analog. From punchy analog textures to abrasive screaming sounds, explore a flawless emulation of a primal instrument overflowing with attitude and streamlined for modern production. KORG MS-20 V unites screaming oscillators and filters with a semi-modular architecture and cutting-edge upgrades for a monstrous virtual instrument that transcends subtractive synthesis.

KORG Modwave Mk II Explained®

HiDERA | 06 April 2025 | 7.91 GB

Join synth expert Alberto Rizzo Schettino for an intensely thorough look at KORG’s formidable Modwave Mk II hardware synth. KORG went deep with this synth, and the possibilities within are truly mind-boggling. You’ll not only learn about the common components, such as the oscillators, filters, envelopes, etc., but Alberto will investigate two other unique aspects of this synth – Kaoss Physics and Motion Seq 2.0 – at length, providing you with a nearly inexhaustible supply of modulation and motion capabilities and sound design magic. These videos are designed for new Modwave Mk II users. Alberto begins by welcoming you and providing a quick overview of what the Modwave Mk II can do. This is followed by an examination of the block diagram, so you’ll have a good idea of how signal flows through the instrument, and a quick flyover of the main components and sections of the synth, giving you the general lay of the land before we get into specifics. You’ll then see how to quickly browse through the many excellent presets to audition the sounds and/or find a jumping-off point for creating your own patch.

Prophecy v1.6.0 WiN

Team TCD | 26 August 2024 | 27.2MB

In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s. It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today’s music production.

Korg M3 MULTiFORMAT

Intrinsic | 14 March 2015 | 18 GB

…: Korg M3 Synth/Sampler :..

(.NKI, .EXS, .FXP, .WAV, .SXT)

Keyboard workstations have always been something of a Korg speciality, ever since they created the concept almost 20 years ago with the M1. Does their latest offering, the M3, live up to its pedigree? About once a decade, Korg rewrite the rules for making music on affordable keyboards. In 1988, the M1 defined what we call a workstation. Nothing that it embodied was new: PCM samples, sequencing and effects had all been used in keyboards from other manufacturers, but the ‘AI’ architecture of the M1 did it more elegantly and more affordably than it had ever been done before. Then, in 1995, the Trinity introduced the combination of touchscreens, genuinely multitimbral effects, hard disk recording and digital I/O to the mainstream keyboard world. Not only was the Trinity radical in the way that it combined these technologies, but the price — as it had been for the M1 — was remarkable for such a groundbreaking product.