🎅 MaGeSY® R-EVOLUTiON™⭐⭐⭐

  • Tutti Vox 16BiT KONTAKT
    March 21st, 2017 ⚡
    Categories:

    image

    Tutti Vox 16BiT KONTAKT

    FANTASTiC | March 20 2017 | 10.2 GB

    A choir library has been on our to-do list ever since our company was in its infancy and now finally the time has come. This is not just any choir library as this project had to be approached  style, being as playable and flexible as a sampled choir can be whilst sounding completely realistic. We spent a lot of time developing the engine driving Tutti Vox and we are very proud indeed of what we have achieved; a new approach and an innovative way of working with sampled choir.


    Viewed 4860 By Music Producers & DJ´s.


  • MH Signature Pack v2.0 KONTAKT
    March 21st, 2017 ⚡
    Categories:

    image

    MH Signature Pack v2.0 KONTAKT

    P2P | March 20 2017 | 5.6 GB

    Our first curated library of drums, cymbals, and microphones. Tuned, captured, and performed with the utmost attention to detail, retaining the raw energy and conviction needed for a truly special sound. With great pride, we present the GGD Matt Halpern Signature Pack. V2.0 is an official Kontakt instrument which means you do NOT need the full version of Kontakt! Just load it into the free Kontakt Player and you can use GGD with no time limits or restrictions. We created the Matt Halpern Drum Library to scratch our own itch. Virtual drums are an integral part of our creative process, and we simply couldn’t find a drum library that had everything we needed. We needed a library that had a truly full range of velocities, with everything from fluttery ghost notes to crushing full-power hits. Since we couldn’t buy what we needed, we made our own.


    Viewed 5208 By Music Producers & DJ´s.


  • image

    Grosso KONTAKT MiDi MP4

    P2P | 20.03.2017 | 22.95 GB

    A Grandiose full Orchestral Phrase-based Cinematic Sample Library

    Grosso is the best instrument we have produced to date. Period. With Grosso, BV is changing the paradigm for orchestral phrase-based instruments… again! Before our Minimal library, the level of control, whilst retaining the authentic sound that live recordings bring to the party, was unheard of. We have gotten so much positive feedback on Minimal that a ‘sequel’ was unavoidable. Mere sequels is not what we do though, so if you look at what Grosso brings to the table, you will see an evolved entity that is a homo-sapiens to Minimal’s homo-erectus.


    Viewed 5953 By Music Producers & DJ´s.


  • Bass Machine KONTAKT
    March 17th, 2017 ⚡
    Categories:

    image

    Bass Machine KONTAKT

    P2P | 17.03.2017 | 333.28 MB

    Bass Machine was in essence an attempt to revisit a commonly used trick of the trade whereby the warm roundness, power and motion of the Minimoog’s bottom end was blended with the bite and clinical accuracy of FM bass. The result is a nice example of where the whole is greater than sum of its parts… In order to capture as much of the Model D’s character as possible, four patches were dialled into the instrument complete with filter envelope. Since such a process would probably have rendered rather inflexible results another four patches were captured with the filter wide open. Every white key was captured as four random round robins resulting in over 800 samples from Hideaway Studio’s beloved 1976 Minimoog No.7751.


    Viewed 5462 By Music Producers & DJ´s.


  • Aliasonix KONTAKT
    March 17th, 2017 ⚡
    Categories:

    image

    Aliasonix KONTAKT

    P2P | 17.03.2017 | 263.09 MB

    An Early Soft Synth… Running on a 30 Year Old Home Computer!?

    Most should realise by now that I have a fascination for rediscovering old technologies and combining the best of them in a constant attempt to create something new and unusual. Some of you will also know that I’m a big fan of the retro computing scene and especially the demo music scene that grew up around it during the mid ‘80s and into the ‘90s. Almost all of the time my technological foraging involves trawling up some physical lump of hardware but on recently rekindling my love of ProTracker on the Amiga I got curious one day and wondered if perhaps someone had attempted to not just play back samples as in Karsten Obarski’s pioneering Ultimate Soundtracker (that came close to bringing Fairlight Series II functionality to the unwashed masses on two floppy disks in 1987!) but rather to synthesize them from scratch…


    Viewed 4503 By Music Producers & DJ´s.

    Tags:

  • e-Grand KONTAKT
    March 17th, 2017 ⚡
    Categories:

    image

    e-Grand KONTAKT

    P2P | 17.03.2017 | 51.97 MB

    The e-Grand…

    The 1938 Hammond Novachord, 1974 Farfisa Syntorchestra and 1976 Polymoog 203A are all examples of three early polysynths capable of producing piano like timbres. The Novachord was without question the world’s first commercial all electronic polyphonic instrument designed to emulate the piano amongst other timbres. To design something that electronically synthesized anything even remotely sounding like a piano in 1938 is nothing short of miraculous and a huge credit to the incredible ingenuity of Laurens Hammond and his fellow engineers!! If you think I ever overstate this then look up his patents from the era – one of which is pretty much the definition of the basis of the modern analog synthesizer. All have one thing in common in that they rely on formant synthesis to produce these tones. As is often the case, such instruments tend to exhibit sweet spots over relatively narrow registers. For while now I thought it might be interesting to try and carefully blend the best of these registers captured from the three instruments in an attempt to try and create something where an evocative, expressive and playable nature was more the end goal than realism. As it turned out the grainy organic nature of Hideaway’s very own and rather infamously “vintage calibrated” Novachord #346 provided a special ingredient in the lower registers, the Polymoog added much of the mid-range warmth and the really quite beautiful highs were thanks to the Syntorchestra with the help of the Omega 8. After much play testing the samples were carefully layered and tube equalised.


    Viewed 4446 By Music Producers & DJ´s.

    Tags:

  • image

    Extreme Environments KONTAKT

    SYNTHiC4TE | Dec 06 2014 | 749 MB

    Extreme Environments, a unique sound design tool that allows you to quickly and easily create dense and complex ambiences, ranging from musical pads through to realistic room tones and extreme sound design. “This is a sound designer’s dream… delivering an endless and interesting array of edgy textures, drones and washes.” (Computer Music magazine, UK). This sound library The main feature of Extreme Environments is the Kontakt instrument which combines a state-of-the-art user interface with the loops and impulse responses to give you a highly flexible tool for creating a huge variety of beds, drones, pads and FX. It comes with over 150 presets.


    Viewed 4799 By Music Producers & DJ´s.


MaGeSY TeleGram Subscribe & Stay up to date with all the Posts that are published in MaGeSY MaGeSY Podcast: Subscribe & Stay up to date with all the Audio Posts that are published in MaGeSY MaGeSY Instagram Official MaGeSY-Youtube Official MaGeSY-X Official MaGeSY-Facebook Official MaGeSY-Pinterest Official MaGeSY-WhatsApp Channel Official

With Adblocker the page loads slower & avoid enhanced new search




ಮ್ಯಾಜೆಸ್ಯ್