K Bass KONTAKT

Team AUDiOSTRiKE | 09 July 2014 | 37.6 MB

Rheem Kee Bass (1967)

One of our oldest and coolest synths! And from a company more known for hot-water systems. Of course! The RKB has two basic sounds (fuzz-on & fuzz off) with some simple EQ and envelope controls. We sampled both the natural and fuzz settings with the Bass Booster on full. This way, you’ll get the real balls of the original Kee. Our Bass Booster lever sort of works in reverse. As you pull the lever down, it gradually cuts frequencies around 80Hz so that it sounds almost identical to the original when all the way down, and doesn’t knock you off your feet when boosted to full. All the front panel controls have been replicated with an extended feature set without compromising the Katra from the original instrument. If you’re after some vintage analog bass that isn’t another x0x, please consider our K Bass. It provides deep, subby bass and really has its own thing going on.

Cosmos KONTAKT

SYNTHiC4TE | August 26 2018 | 6.23 GB

An evocative synth powered by atmospheric, pulsating, and ambient sounds and inspired by the wonders of outer space. Over 350 rhythmic phrases and ambiences, perfect for providing movement and underscore. Welcome to COSMOS, an evocative synth powered by atmospheric, pulsating, and ambient sounds, and inspired by the wonders of outer space. Each of the hundreds of unique ‘phrases’ (arpeggios, sequences, gates) and playable textures delivers a perfectly polished sound. Layer, tweak, and combine to create your perfect cosmic soundscape! The sound sources included range from subtle bassy sequences and tonal pads, to harsh and bright arps in major/minor, trance-like layered synths, and ‘one note’ sonic evolutions. Whether you need harsh, smooth, noisy, or relaxing elements, COSMOS offers instant inspiration. The phrases patch uses an engine based on our popular Allura library. A built-in tag browser lets you hone in on the perfect tempo-synced loop, then assign it to a keyswitch of your choice and perform it with the right hand. The ambiences patch gives you plenty of sound design tools, like a four-layer sequencer to add rhythmic elements to any of the included tonal or atonal soundsources.

EastWest Adrenaline KONTAKT

P2P |  Nov 22, 2013 | 941 MB

Adrenaline is a distinctive cross section of all current musical styles with only one common theme – the ability to inject vital energy into anything it touches. Load up one of the presets and you’ll see each of the loops mapped out onto individual keys in a construction kit format. Experiment with the “beat Machine” which syncs each multitrack loop to the host sequencer. “Funkify” your percussion loops with sync delay. For that total “other world” dub experience, up the feedback level till it self-oscillates.

Altered Reality: Dark Cinematic Elements

P2P | Jan 12, 2013 | 2.37 GB

Altered Reality: Dark Cinematic Elements. over 3.5 GB of pristinely crafted cinematic loops and samples to help you create dark worlds and suspenseful cues quickly and easily. Altered reality includes both loops and one-shots. The loops section includes drums, percussion, basses and synths. The one-shots section includes FX, atmospheres and hits that bring complex layers and depth to any cinematic production. All of this has been formatted in Acidized WAV, REX, Apple Loop, and Kontakt formats. This cinema-ready product speaks for itself, from robots and space ships to desert wastelands, Altered Reality has it all.

Flutter EP KONTAKT

SYNTHiC4TE | Feb 08 2016 | 1.15 GB | UPDATE: 480 MB

Flutter EP is an electric piano like you’ve never heard before.

She is packed to the brim with specially devised samples made from a variety of slutty analogue hardware synths and keyboards. All sample sets morph and loop through various transitions for a mind boggling selection of unique but Wurly-ish, Rhodes-y, organ-esque, DX like electric piano type sounds….but of course there is a twist which makes her very different. Think Radiohead, Jon Hopkins, Nils Frahm, Ólafur Arnalds or maybe Steve Reich in a fist fight with Trent Reznor. The main interface is divided into 12 parts which (if you look hard enough) show the octave of a keyboard starting at C on the left. Each column gives individual parameter control for each corresponding note of the six octave range, whatever you do to the C column affects all of the Cs and nothing else etc.

TimeDrops KONTAKT

SYNTHiC4TE | Oct 12 2015 | 672 MB

TimeDrops is a granular time manipulation tool for Kontakt 5, which enables the user to import his own samples and features an extensive of sound sources and presets. TimeDrops implements an advanced time granular engine which allows to freeze the time of any sample, creating pads and soundscapes out of any kind of material. It also features a custom scripted ADSR, time synced LFO and an advanced mapping system for creating complex organic textures and many different playing modes to reinterpret the material of the sample in lots of different ways The idea of this instrument is to take something beautiful and transform into something else with the proper tools, keeping the maximum sound quality possible. For this reason, despite its apparent simplicity, it implements many under the hood adjustments like per-grain custom windows, anti-phasing techniques and synchronized time/rate/densities between the grains. Granular synthesis is actually awesome when you can’t actually between the single grains… and the whole result appears like a new designed sound! For this reason, the library features a very simple way to import your own samples, so that you can create your personal library of TimeDropped sounds!

The Advanced H1 KONTAKT

NanoBeat | 21/04/2015 | 39 MB

The ADVANCE H-1 …There’s some serious old scool circuitry in there powered by ECC88 valves/tubes and we’ve modelled the GUI on the original but have taken some liberties… We’ve added a simple vibrato LFO and a simple envelope. There are also poly and mono modes with a glide control for the mono mode. You can switch between the raw valve sine and square waves but you can also enable the tape ‘mode’ and then switch between old cassette and completely knackered reel-to-reel (and the machine is so wrecked, that should be ‘real-to-unreal’ … totally wrecked … but sounds fabulous – all the qualities of valves with genuine tape saturation and excessive wow, flutter and random wobble … which can be made more chaotic with the vibrato LFO).