Kemane String is a classical middle eastern instrument with felt sound and roots in Central Asia. With the second version you can now play this emotional string with your keyboard with 2 solo styles in addition to patterns and improvisations.
Anatolian Percussion v2 delivers on 5 core percussions of Anatolian music and culture at the center of Middle East. Two types of Bendir, two types of Kudum and a Darbouka are recorded and edited into instruments, patterns, phrases, oneshots and extras. Kontakt Instruments are designed to be able to mix solo shots and playing with phrases and patterns. These instruments are at the center of middle east traditional and ritual music.
The Purgatory Creek Soundware Pianet T is an excellent recreation of this popular keyboard. It was deeply sampled at eight velocity levels recorded for the full duration. Manufactured between 1977 and 1982, the Pianet T was popular as a light-weight alternative to larger, heavier electro-mechanical pianos. While its sound is not as tonally expressive as other instruments, it does possess a unique, intimate sound. Pianet T was deeply sampled at eight velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the instrument was recorded and note-off release samples are included. The instrument uses 28MB of RAM and requires 210MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.
A wonderful recreation of this rare vintage instrument. The Purgatory Creek Soundware Pianet N was deeply sampled at eight velocity levels recorded for the full duration. The electro-mechanical piano, upon which this sample-set is based, was manufactured between 1965 and 1967. It is a rare reed-based instrument. The Pianet N was deeply sampled at eight velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the instrument was recorded and note-off release samples are included. The original instrument included a mono tremolo effect which is emulated. The instrument uses 28MB of RAM and requires 307MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the tremolo, phaser and reverb effects. Finally, a number of amp simulations are provided.
An authentic recreation of probably the most popular version of this classic piano. The Mark II (1980) was sampled at 16 velocity levels for full duration. The Mark II piano was noted for its modular action and Schaller tines, which give it a different sound than the earlier models. Mark II (1980) beautifully captures the tone of the original. The instrument was sampled at 16 velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 46MB of RAM and requires 760MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.
A wonderful recreation of this classic, funk keyboard. Each of the four pickups of D6 was sampled at a minimum of 16 velocity levels for full duration. The model D6 was by far the most popular version of the instrument and can be heard on many recordings from the 1970s and beyond. Each of the four pickups of D6 was sampled at a minimum of 16 velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Release samples and attack noise samples are also included.
A Bass modeller and sound-design toolkit, ready to inspire. UnderVibe is a very flexible instrument and includes both one-shot playback and an arpeggiator which follows the notes in the order that you press them. There are many different note divisions and also special arpeggio patterns which combine repetitions with ADSR and FX randomisation.
