Folio Bass v1.1 KONTAKT

P2P | 27.11.2018 | 4.84 GB

Folio – Bass is a dual voice ROMpler aimed squarely at Bass sounds. Our starting point are the 300 instrument samples included in Folio – Bass, these were meticulously recorded, edited and mastered using our analogue valve based system, including passing each sound through our dedicated 1970’s Akai valve pre-amp and then copying everything through our Revox B77 tape machine loaded with vintage (but pristine) british Zonal 675 tape. It’s a long, slow process but we think the resulting sounds are worth it. Next the Folio – Bass instrument is equipped with many “classic” synthesis controls, like envelopes and filters, and these add to the capabilities Folio – Bass has for sculpting and shaping modern innovative and original sounds quickly and efficiently.

KERFYGE DRM KONTAKT

P2P | 26.11.2018 | 29.1 MB

MODERN DRUM MACHINE

Halflight Sampling Collection KONTAKT

P2P | 26.11.2018 | 6.52 GB

This massive collection contains 18 individual sound design libraries from Halflight Sampling. With an underlying tone of dread and otherworldly noises this collection is packed with useful sounds for creative projects, horror and sci-fi scoring or for adding an undertone to your music. Most packs are powered by the Photosynthesis Engine and with over 13GB of unlocked WAV files this is a real no brainer.

Talua v1.0 KONTAKT

P2P | 26.11.2018 | 586 MB

This library contains beautiful and imperfect Glass and Bell sound along with textures to colorize your tracks. It also includes a variety of presets (49 Patches and 18 Multis) where we really mangled the sounds and took advantage of the engine. Just take a listen to the audio demos below or watch the playthrough at the bottom of the page. All demos are only using sounds from this library and they were only mixed a little so that You won’t be fooled by perfectly mixed and mastered tracks. The library is built within a dual layer engine so You can easily mix two sounds together and adjust settings for each one individually. The interface gives you full ADSR control and has a master section where you can set Stereo width, Filter (LP) cutoff, Output gain and Panorama position. There are also octave and sample offset controls; available for each layer individually as well. It carries 4 LFOs (two per layer), all time independent from each other. And You can route each LFO to Volume, Pan and Cutoff at the same time by just moving the red intensity knobs of the respective Modulator.

Clavinet C For KONTAKT

DiSCOVER | November/24Th/2018 | 765 MB

A wonderful recreation of this classic, funk keyboard. Each of the four pickups for both the C was sampled at a minimum of eight velocity levels for full duration. The Clavinet C was made famous by Stevie Wonder’s recording of Superstition and was the predecessor to the more common D6 and E7. Each of the four pickups for both the C was sampled at a minimum of eight velocity levels for full duration, providing an accurate sound with no artificial decay envelopes or sample loops. Release samples and attack noise samples are also included.

Sparkletop (1965) For KONTAKT

DiSCOVER | November/24Th/2018 | 921 MB

The Sparkletop (Silvertop) model from the 1960s defines vintage keyboards. Sampled at 18 velocity levels recorded for the full duration. Manufactured in the 1960s, this was the first commercial version by the famous tine-based piano manufacturer. Unique to the Sparkletop series are the traditional felt hammers (vs. neoprene tips on later models) and the Raymac tines. It is featured on many jazz and R&B recordings from the late 1960s. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 78MB of RAM and requires 1084MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.

Mark I (1975) For KONTAKT

DiSCOVER | November/24Th/2018 | 792 MB

An authentic recreation of this most sought-after classic electro-mechanical piano. The electro-mechanical piano, upon which this sample-set is based, was manufactured in 1975, a year considered by many to be the golden era for this instrument. It featured the coveted Torrington tines. Sampled at 19 velocity levels recorded for the full duration, so you will hear neither loops nor artificial envelope decays. Nearly every note of the piano was sampled and eight velocity layers of note-off release samples are included. The instrument uses 69MB of RAM and requires 930MB of free disk space. You will find a three-band equalizer, volume for the release samples and a velocity curve dialog box which allows the user to adjust the instrument to respond to touch. In addition, each has controls for the stereo vibrato, phaser and reverb effects. Finally, a number of amp simulations are provided.