Quarantine KONTAKT

P2P | 22.11.2018 | 1.25 GB

Quarantine is an advanced alien sound creator for all your modern, science fiction sound design needs. Quarantine uses our AGRA Engine (Advanced Grain Recombination Architecture) that provides you with a new approach to generating, combining and manipulating sounds, Quarantine contains an atmospheric, restless, disturbed and unusual set of sounds created by acclaimed sound designer Glitchmachines.

Orchestrata KONTAKT

P2P | 22.11.2018 | 1.92 GB

Orchestrata is a dual-voice orchestral ROMpler for Kontakt 5.7+, but isn’t intended to be a replacement for high-priced, large-gigabyte Orchestral sample libraries, it offers a range of features and sound-shaping effects, most commonly found in synthesiser systems, that allow you to obtain new orchestral and cinematic sounds, unlike any other. Orchestrata contains samples from 12 orchestral instruments, each instrument has a range of appropriate articulations, and each articulation is sampled as a large section (5+ players), small section (3 players) and solo instrument.

Uilleann Pipes for KONTAKT

P2P | 21.11.2018 | 1.21 GB

Five Kontakt instruments – D, D untamed, C#, C# untamed, and bellows & bag noises. The uilleann pipes is the national bagpipe of Ireland. It is a complex instrument made up of several pipes, a pipe bag to hold the air, and a set of bellows used to inflate the bag. This library features two full sets of uilleann pipes each with chanter, drones, and regulators – including a rare double-bass regulator.

The Planet Deep Scan KONTAKT

P2P | 21.11.2018 | 683 MB

Immerse yourself in the vintage sci-fi audio world of The Planet Deep Scan, successor of the acclaimed ambient library, The Planet! In contrast to the previous sample collection and its mostly dreamy and mellow approach, The Planet Deep Scan focuses on a dark, textural content aimed at easy, intuitive creating of evolving sound textures and soundscapes in a vintage, lo-fi fashion. An ideal tool to set the dark atmosphere, for creating surreal, unsettling audio backgounds, providing a “bed” for your composition. Dark spaceship corridors, weird signals, noises of unknown apparatuses, signs of alien lifeforms… it all can be found inside this library, whose ambition is to take you out there into space and let you explore the… unknown and incomprehensible.

Resona v1 KONTAKT

P2P | 20.11.2018 | 598 MB

Resona is aimed at cinematic Ambient and/or Horror music.

Resona is an essential toolkit for Ambient, Horror and cinematic music in general. The library includes Bells, Glass, Mallets, Ambiences, Arps, a huge diversity of Pads and many more. As a bonus you even get the possibility to implement your own samples if you’d like to.

Organic Transition KONTAKT

FANTASTiC | August 01 2016 | 1.74 GB

With a unique sample set created using shakers, rattles, tambourines, cymbals, drums, and a multitude of rare exotic percussions, ORGANIC TRANSITIONS will be a splendid addition to your sound tools! Take full control over the intensity and the length of your transitions with 18 highly realistic dynamic instruments. Press a key, use the modulation wheel, release the key: it’s so much fun to perform perfectly-timed shaker crescendos, tambourine sweeps, spring drum rolls…! Original and rare ethnic instruments are also included (clay water bird, african shakers, ethnic rattles, cabasas…)

Swell KONTAKT WAV

P2P | 19.11.2018 | 3.13 GB

Swell is a performable Kontakt instrument and sound effects library designed to create natural sounding cymbal swells with a variety of different cymbals and performances. We brought in a professional drummer to perform each of the swells and on during the recording sessions we covered a wide variety of cymbal shapes and sizes. Cymbals included gongs, orchestral suspended cymbals, crashes, chinas, sizzle ride, and others. Great care was taken to record each performance with the highest sonic quality and detail. We chose a relatively reflection free space with a super low noisefloor and recorded through John Hardy M1 preamps for the big clean gain. Schoeps and Neumann mics were used to get full coverage of each cymbal.