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  • Moon For KONTAKT-DiSCOVER
    December 1st, 2018 ⚡
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    Moon For KONTAKT

    DiSCOVER | December/01Th/2018 | 911 MB

    MOON is an instrument to create evolving ethereal textures. Not typical pads but something between fx and pads. The natural mood is quite dark and gloomy, perfect for sci-fi and thrilling scenes as well as for Ambient, Dark Ambient and other musical genres. It is featured with a two sections GUI. The Main section where the user can choose the textures for the two layers and a low control system, just only a sine LFO and all the typical volume/pan/envelope encoders. The Lab section comes with a convolution reverb and a rotator, this last one could influence a bit the low frequencies with a kind of cut. The deep controller sets are the Formant section and the Ladder filter that could transform in heavy manner the textures sound. There’s always a central small display that shows the values so that the user can control his/her manouvres. When the user finds an interesting sound, he can save the whole instrument in the User folder, obviously starting from the INIT starting instrument.


    Viewed 4568 By Music Producers & DJ´s.


  • Nebulae For KONTAKT-DiSCOVER
    December 1st, 2018 ⚡
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    Nebulae For KONTAKT

    DiSCOVER | December/01Th/2018 | 2.29 GB

    NEBULAE is a deep-sampling based virtual polyphonic synth for Kontakt by Native instruments. Through a selector knob you can choose from thirty presets. The Formant effect is controlled by an LFO, then you can handle its rate by the first knob. All the controls have the bypass button but the Volume and the Envelope. Nebulae is created for Ambient, Electronic and Cinematic music.


    Viewed 3438 By Music Producers & DJ´s.


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    Soave Sordino Strings KONTAKT

    DiSCOVER | December/01Th/2018 | 195 MB

    Soave Sordino Strings is the result of mixed sampling from sample based digital strings machines treated with equalizers, image expanders and various effect. The strings sections is the typical orchestral configuration. The first violins on the left and so the sound of them is on the left in the stereo image and so on, with the double basses on the extreme right. There are five sections (1st Violins, 2nd Violins, Violas, Cellos, Double Basses) and each have their own volume knobs. As you can see the Soave’s GUI is really simple, just a Main Volume (Gain) on the left, an Attack knob on the right and a Transient button below the Violas section to bypass the slow attack and gives a fake legato when play a melody. Obviously, Soave comes with only one articulation known as “Con Sordino”, so it’s useful for very slow tempo beats, from Largo to Adagio. The other control named “Altered” implements a randomized pitch to the notes played in a kind of slow “chaotic” way. That’s quite useful for stochastic composition styles.


    Viewed 4102 By Music Producers & DJ´s.


  • Profundo For KONTAKT-DiSCOVER
    December 1st, 2018 ⚡
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    Profundo For KONTAKT

    DiSCOVER | December/01Th/2018 | 879 MB

    Version: Kontakt 5.8.1 / NCW / 0.9 GB / V1

    Here the third and last Ambient texturizing library, PROFUNDO. The trilogy started with MOON and was followed by NEBULAE. PROFUNDO is an A.T.S. (Aleatory Texturizing Synthesizer) for Kontakt by Native Instruments. It contains six layers, each one with four different samples to create a texturized sound controlled by a random pitch engine, generating aleatory harmonies in a costant evolving fashion. The moods are quite gloomy and dark, so perfect for Cinematic, Dark Ambient, Industrial and other musical genres related. The Aleatory principle in music started in the beginning of 1950 at the Darmstadt International Summer Courses for New Music, though examples could be found earlier in the late 15th century and first decade of 1900. From 1957 composers as Pierre Boulez and Stockhausen used that principle in some works. We could say that John Cage used a kind of aleatory principle that must be called better indeterminate music.


    Viewed 2894 By Music Producers & DJ´s.


  • Phoenix v2.0 KONTAKT
    December 1st, 2018 ⚡
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    Phoenix v2.0 KONTAKT

    P2P | 01.12.2018 | 253 MB

    Phoenix is a powerful tool for creating string and choir sustains with movement and character. The samples are from synthetic and granulised sources, yet they are rich and organic sounding. The presets vary from realistic strings and choirs to sci-fi beeps and pads. This versatility is due to some unique scripting, such as the LFO engine; which lets you draw your own waveforms and actually see the modulation happen on the controls. Phoenix is a Kontakt library designed to be a tool for making rich pads using strings and choirs. There are 6 oscillators which can be mixed, tuned and panned. Each of these layers are great sounding by themselves, but when layered properly can create rich tones. On this first page are also 2 ADSR envelopes, for the volume, and low pass filter. Movement is key when making sustained instruments, and this is where Phoenix excels. The unique LFO engine allows easy modulation of virtually any parameter. The shape of this oscillation can be drawn by you and the results are actually shown on the control that you have chosen (such as cutoff frequency or layer 3 volume). Up to 4 parameters can be modulated at once.The second page of Phoenix is the FrozenPlain Effects Engine v2.0, this contains 13 effects such as reverb, phaser, chorus, echo and more.


    Viewed 4071 By Music Producers & DJ´s.


  • Reflection v1.71 KONTAKT
    November 29th, 2018 ⚡
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    Reflection v1.71 KONTAKT

    P2P | 27.11.2018 | 584 MB

    Reflection is an inspiring Cinematic Sample library and toolkit for composing Soundtracks and trailers. Perfect for anything from a subtle underscore to driving action and a whole let more. It contains 435 presets with everything from Evolving Soundscapes & Distorted ambience, to Lush Pad & complex Rhythms. It has a highly flexible interface with a multitude of tools for designing your own sounds, rhythms and arpeggiations. The tools include various envelopes to shape the sound, insert and send effects, sequencers and LFO’s to create tempo synced rhythms and an arpeggiator with powerful randomisation features. In addition, up to 3 samples can be layered and mixed either using the included samples or importing your own. Each layer can have separate Amp, Pitch and Filter Envelopes, as well as adjustment of the Sample start position. From version 1.6 you can now have separate LFO’s and filter sequences for each layer as well as adjusting the level of send effect per layer. For 1.7, you can even choose from 6 different filter types.


    Viewed 3465 By Music Producers & DJ´s.

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