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  • Deepest India DLP WAV KONTAKT-ASSiGN
    December 29th, 2018 ⚡
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    Deepest India DLP WAV KONTAKT

    Team ASSiGN | Date: 06 NOVEMBER 2010 | 653.22 MB

    We are intensely proud to offer one of the most exquisite and beautifully recorded collections of samples ever created: ‘Deepest India’ is a 3-Disc set of original Vocals, Instruments and Orchestras/Ensembles recorded on location in India specially for ZG during 1996-7. The library explores every area of human emotion from elation to despair – from hauntingly beautiful vocals, through joyous ensembles to authentic Indian instrumental phrases.


    Viewed 5543 By Music Producers & DJ´s.


  • Tiny Binaural Harpsichord³ KONTAKT
    December 28th, 2018 ⚡
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    Tiny Binaural Harpsichord³ KONTAKT

    P2P | 28.12.2018 | 147 MB

    The Tiny Binaural Harpsichord³ remains beautifully faithful to its rare origins, a spinet harpsichord made by influential instrument maker and musician, Arnold Dolmetsch (1849-1940). But, as always with a Sound Dust instrument, the TBH³ offers much more than impressively realised acoustics and editing – it offers two completely unique and incredibly versatile ‘must have’ instruments for the modern player, sound designer or composer. Source samples were painstakingly recorded using OKM Binaural microphones, enabling the capture of omnidirectional stereo sound as experienced by the ear. The result is transparency and authenticity by the bucket load. The TBH³ delivers the resonant joy of a small period harpsichord, its ancient soundboard alive to the ring and thrum of quill plucked brass strings and the soft organic clunk of a worn wooden mechanism.


    Viewed 4099 By Music Producers & DJ´s.


  • Regal Rhythm KONTAKT
    December 28th, 2018 ⚡
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    Regal Rhythm KONTAKT

    P2P | 26.12.2018 | 6.86 MB

    Regal Rhythm is a very simple drum box with a typical vintage analogue sound. The six on-board preset rhythms cover the kind of staples you’d expect from more of a home-orientated (rather than studio grade) piece of kit, and there’s a slightly fuzzy, soft-edged tone to the whole thing that can work very nicely for chillout, downtempo tracks. It also comes in a neat royal red colour scheme that should cheer up anyone’s morning – and check out that real wood veneer ???? The sounds are limited but solid: kick drum, plus two flavours of snare, as well as the combinable presets (which of course tempo-sync to your host DAW). Saturation, compression and bit-crusher controls let you have a bit of extra fun with the tone.


    Viewed 3339 By Music Producers & DJ´s.


  • Bass 3 KONTAKT
    December 28th, 2018 ⚡
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    Bass 3 KONTAKT

    P2P | 27.12.2018 | 45 MB

    Now this little thing is funky! The Hohner Bass 3 was an all-analogue minisynth that produced three preset bass tones: Guitar, String and Tuba. Don’t let the names fool you: this isn’t orchestral, nor is it folky. It’s just raw and wild: a thunky twang gives the Guitar patch its bite, the String setting is all low tone for instant depth, and the Tuba is snarly with a ton of overtones to help it cut through a mix (or to be low-pass filtered to get even more scope). It all came packaged in a little black leatherette suitcase that you could close up to take on the road; and opened, it could be perched atop your Rhodes on stage so you could riff with your right and hold down the bass with your left. It was like opening up a neat little package and finding the Biggest Sound In The World was hiding inside.


    Viewed 4872 By Music Producers & DJ´s.

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  • VL Calc KONTAKT
    December 28th, 2018 ⚡
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    VL Calc KONTAKT

    P2P | 26.12.2018 | KONTAKT | 76.15 MB

    Something that was weirdly great about the 80s was the emergence of “things that are also other things”. For example: pencil erasers that also smell of candy. Or toy cars that are also toy robots. Or school calculators that are also tiny synthesisers. Casio’s VL Tone series of calculators really embodied an oddball notion taken to extremes: once you’ve solved the square on the hypotenuse as being equal to the sum of the squares of the other two sides of the triangle, why not kick back with some funky toonz? (Luckily there was a headphone jack built in, so that the surprisingly loud two-inch speaker didn’t distract the rest of the class from their studies.) Not only were there six preset sounds to fool around with, you could even – get this – program your own, by inputting laborious strings of numbers with the calculator switched to a special mode. With control over envelope, tone shape, vibrato and so on, you could come up with your own VL Tone patches, in a move which Casio presumably hoped was a kind of gateway drug to their bigger, more professional keyboards.


    Viewed 6423 By Music Producers & DJ´s.


  • Mini-505 KONTAKT
    December 28th, 2018 ⚡
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    Mini-505 KONTAKT

    P2P | 26.12.2018 | 4.11 MB

    When it comes to drum machines, Roland have been in on the action right from the start. With the TR-808, they helped define EDM and hip-hop, while the 909 swiftly became a staple of the techno / house movement. But by 1986, old analogue beatboxes were making way (sometimes by being slung in skips) for the crispy ‘realism’ of digitally sampled drums. Everyone and their drummer cousin wanted a set of Simmons pads and a brain, and of course Roland were only too happy to provide. Cue the TR-505, a smaller and more plasticky drum machine than its big brothers, but sporting 12-bit sampled sounds that brought a whole new mood to the mix at an attainable price-point – and immediately found itself a niche with the emergent acid scene. The TR-505 has a thuddy great kick that responds very nicely to compression, a light and crispy snare sound, some really neat percussive elements (including congas, timbales, claves, rim shots and the inevitable cowbell), and of course those fizzy, zingy sampled cymbals that put the old brigade of drum machine in the shade. Factor in tight hats and some very 80s toms and you’ve got yourself a little powerhouse capable of shunting out big-feel beats on a garage-friendly budget.


    Viewed 5339 By Music Producers & DJ´s.

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  • CX5 Drum Machine KONTAKT
    December 28th, 2018 ⚡
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    CX5 Drum Machine KONTAKT

    P2P | 26.12.2018 | 2.75 MB

    The Wersi Drum Composer CX5 is an early digital drum machine with a punchy, aggressive sound that was clearly intended to poach on Simmons’s territory. Physically, it’s a monolithic slab of grey metal and plastic livened up by dozens of LEDs and a cool, Ensoniq-style vacuum fluorescent display; sonically, its low-bit-depth samples make for gritty, compressed loops that can add a really hefty foundation to a track. (It’s no relation to the Yamaha CX5 music computer, by the way; that’s a totally different monolithic slab of grey mid-80s metal and plastic!) Released back in 1985 and intended for use either as a standalone drum machine or as a “brain” for a set of Wersi drum pads – they really were hoping to cannibalise some SDS sales! – the CX5 is surprisingly sophisticated in terms of programming and pattern creation and has a very useful spread of samples: both classic kit pieces and a couple of notable surprises, in the form of the ‘Hey!’ and ‘Aha’ hits (take a listen to the demo…). The early digital sound lends a lot of weight to the kick and tom pieces, while hi hats and cymbals have a nice fizz and crackle to them. There are snare rolls, some pretty awesome claps, and a handful of neat percussion pieces thrown in too, which are great for adding a Latin element to your loops.


    Viewed 6445 By Music Producers & DJ´s.


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