808 Monster KONTAKT
P2P | 22.02.2015 | 31.31 MB
There is no other way to describe this drum kit better than what its called the 808 Monster is by far the best 808 drum kit available out there.
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There is no other way to describe this drum kit better than what its called the 808 Monster is by far the best 808 drum kit available out there.
Mike’s Garage is a collection of random percussive items from around Mike Barry’s garage – some tonal, some non-tonal. The sounds were captured from items found around Mike Barry’s garage (Cinesamples co-founder) – the result is a cool set of tonal and non-tonal percussive elements. It includes drinking glasses, Cajon, car doors, page turns, adhesive tape, Ukulele hits, metronome, metal gate and much more. This library is a great tool to add fun unique sounds to your compositions or for sound design.
‘The Official Wrecks Kontakt Bank Vol 1’. Wrecks crafted this Kontakt Bank with the intent of catering to producers of all genres. Sitting at over 3GB, this bank comes with 22 high quality sounds. From Leads, Pads, Strings, and Sweeps to Plucks, Arpeggiators, and Swells! Every sound was crafted meticulously by Wrecks to ensure top quality.
Designed for the modern electronic producer, Paragons delivers a toolbox of powerful, anthemic sounds to your production. It comes packed with over 1 gigabyte of enormous analog leads, epic stacks of acoustic and synthetic instruments and heavily processed ambiences. The Paragons Ableton Live Pack comes loaded with 30 multi-sample instruments with expressive mappings, all programmed with pre-assigned, Push-Ready Macro controls. Paragons for Kontakt was designed with a custom KSP easy edit interface. It has been developed with filters, effects controls and modulations. Paragons for Logic includes a collection of instruments that install directly into your Logic library. All sounds have been pre-programmed with Logic’s Smart Controls allowing instant access to sound sculpting and performance features.
The instruments in Gh’nuhan take you on a ethnic/fantasy journey through a collection of “imaginary” instruments, pad and textures. The instruments and sounds in Gh’nuhan are created from a collection of recordings of woodwinds, snare and strings, mallets and all kinds of percussive instruments that are processed through various effects and processes to create new sounds. The library contains 40 instruments in the categories Short, Sustain and Percussive and 20 Pads and Textures. Furthermore there are 15 multis created from the various instruments in the library. On the main page you find a big controller for the filter, imager, chorus, phaser and flanger. ADSR control, reverb (impulse response) and delay settings and for all the instruments there is a reverse function which you can toggle on and off via a button. On the second page you can finetune the settings of 5 effects that are assigned to the big controller on the main page. The third page contains an arpeggiator to add some movement to the sounds.
Microtron Tape 2 contains an expertly recorded Mellotron Flute, Cello and Octave Recorders library. All of the original imperfections, vintage analog quality and performance nuances of the Mellotron M400 have been immaculately captured through a Neumann U47 Microphone and Reeves Custom 50 Amplifier. Microtron Tape 2 Ableton Live Pack is natively programmed and builds upon Live’s rack features to create the same blending possibilities as can be achieved with a physical Mellotron. Native Live effects are completely integrated with multisample mode racks so that any Live user can instantly load these sounds. In addition, Microtron Tape 2 includes 50 Live Clips performed by professional studio keyboardists. Each clip comes preprogrammed with the multi sound Microtron rack for the most flexibility and editing possibilities.
Microtron Tape 3 contains expertly recorded Clarinet, French Horn and Glenn Miller tapes from an original Mellotron. All of the original imperfections, vintage analog quality and performance nuances of the Mellotron M400 have been immaculately captured through a Neumann U47 Microphone and Reeves Custom 50 Amplifier.