R-Evolution Debut Bundle IR
P2P | 30 October 2020 | 6.97 GB
Impulse Responses | WAV – 24 bit 44.1, 48, 96 kHz
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Impulse Responses | WAV – 24 bit 44.1, 48, 96 kHz
The expanded H3000 D/SX & H3000 SE Captured with 24bit Lynx converters @ the units maximum SR of 44,100. Not many FX processors are as well-known or compete with the H3000x & rightfully so. This widely used (some might say overused) device is a studio must have. Equally known for its crazy modulation FX it’s Reverbs are in a world of their own.. Contains 114 IR’s from the Band Delay, Dense Room, Mod Factory, MULTI-SHIFT, Patch Factory, Reverb Factory, Sweep Reverb, SWEPT COMBS, & ULTRA-TAP algorithms.
The Mesa™ “Oversized” 4×12 is THE quintessential guitar cabinet for high gain tones. In York Audio’s tireless quest for excellence, it was time to revisit this cab with a fresh vision and upgraded techniques to meticulously capture the essence of this iconic cabinet. This is the Mesa™ tone you hear in your head. The MES 412 OS V30 is based on a 2008 Mesa™ “Oversized” 4×12 cabinet loaded with the original Mesa™ spec Celestion™ Vintage 30 speakers. The tone is simply colossal. With deep low end chunk, angry midrange, and a detailed top end that cuts without harshness, this cabinet is inspiring to play and sounds absolutely massive! This Cab Pack contains 129 single mic shots from 12 exceptional microphones as well as 21 of York Audio’s famous multi-mic Mixes for a total of 150 IRs designed to take your tone to the next level.
This powerful collection of impulse responses brings back the sound of the early 80s reverb units into Studio One’s “Open Air” Convolution Reverb.
This impressive collection of impulse responses brings back the famous sound of spring reverb units into Studio One’s “Open Air” Convolution Reverb. Sampled in 6 Different Countries including Britain, Canada, Netherlands, New Zealand, Scotland, and the USA. Many pieces of gear listed have been used by major recording artists, including some really historical units, like tube springs that have been used by: The Rascals, Van Morrison, and in James Brown’s famous “It’s a Man’s Man’s Man’s World.” (K-100 Spring)