With the advanced digital technology employed in the Sony DRE 2000, high-quality reverberation effects with a better signal-to-noise ratio, better frequency response and wider dynamic range can be added to incoming signals.
The OwnHammer Multi-Mic Collection libraries provide a massive array of microphone and placement options for the discerning tone connoisseur that wants micro-level control over their guitar sound. The best power amp, DA/AD converter, cables, and microphone preamps for recording electric guitar are in the chain, and microphone selection and placement can cover all manner of source tones, even with just a single cabinet and speaker. The inherent techniques and overall sampling methodology allows for much diversity in this regard, and the readymade mixes give a fantastic starting point for experts and beginners alike.
QUANTUM LEAP SPACES is a 24-bit, true stereo. convolution reverb that sets a new standard by utilizing new impulse recording techniques developed over the past seven years. An arsenal of the best gear that Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, TG (to name a few) have produced over the past 60 years was used to create QUANTUM LEAP SPACES. ATC monitors were positioned in the room/hall to emulate the real world sound projection properties of various instruments. So an impulse taken for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section impulses were taken by firing a series of speakers at an angle towards the ceiling, just like a real section. A fifth speaker with the high end reduced was fired towards the floor to emulate the body of the violins. This same methodology was used to record reverbs for rock instruments in various LA studios. Because of this, the reverbs in QUANTUM LEAP SPACES have a fantastic balance of early reflections and room sound that really draws a dry instrument into the space, rather than the usual “sound plus reverb” result.
Starburst IR provides 110 Beautiful Pads for Izotope IRIS using the Starburst Sample Collection as building blocks. Instruments are constructed using 1-3 Samples and take full advantage of the Spectral Features of IRIS and most have Aftertouch assigned to the Filter Cutoff. The intention was to provide musically useful Pads full of texture and movement. All 110 WAVs that form the Starburst Sample collection are also available to explore when creating your own instruments. The Starburst Samples were designed using an Access Virus TI Synthesizer.
Lumin IR provides 110 Beautiful Pads for IRIS using the Lumin Sample Collection as building blocks. Instruments are constructed using 1-3 Samples and take full advantage of the Spectral Features of IRIS and most have Aftertouch assigned to the Filter Cutoff. The intention was to provide musically useful Pads full of texture and movement. All 200 WAVs that form the Lumin Sample collection are also available to explore when creating your own sounds. The Lumin Samples were designed using UHE Bazille and Waldorf Largo.
Dissonance IR provides 110 Landscapes for Izotope Iris using the Dissonance Sample Collection as building blocks. Instruments are constructed using 1-3 Samples and take full advantage of the Spectral Features of IRIS and most have Aftertouch assigned to the Filter Cutoff. The intention was to represent Alien worlds and darkest corners of the universe with some occasional beauty. All 200 WAVs that form the Dissonance Sample collection are also available to explore when creating your own planets.
Awakenings IR provides 110 Beautiful Pads for IRIS using the Awakenings Sample Base as building blocks. Instruments are constructed using 1-3 Samples and take full advantage of the Spectral Features of IRIs and most have Aftertouch assigned to the Filter Cutoff. The intention was to provide musically useful Pads full of texture and movement. All 200 WAVs that form the Awakenings Sample collection are also available to explore when creating your own sounds.
