This course is about how to make a Drake Type beat in Fl Studio. It will go over everything you need to make a full beat in Fl Studio. We will be focusing on the Drake OVO sound and building a beat that sounds good. There is also a section on mixing a mastering.
Irish FL Studio producer is back with us this week with an all-new ‘How To Make’ course where he creates a Progressive Chill remix of his track ‘I Seem To Find You In Everything’. A more upbeat venture from Owsey that pumps with sidechain, he still manages to keep that signature ethereal ambience and epic orchestration that is unmistakably his. Starting with a blank canvas Owsey begins the writing process with a sublime chord progression using strings and piano before adding an arpeggiated mid-bass, sub and drums. We then move on to synth lines and distinctive leads before adding effects and arranging out. Finally, we automate the different elements before adding in the vocals and carrying out any final tweaks. A brilliant journey from start to finish with innovative sound design and a merging of genres this is definitely one to check out!
All-new ‘How To Make’ course this week and this time he’s making his and Alastor’s track Opium from scratch in Logic Pro. With the emphasis very much on ‘less is more’, Jerome proves that sometimes you only need a handful of different elements to build a huge sounding dance floor slammer. With the emphasis very much on ‘less is more’, Jerome proves that sometimes you only need a handful of different elements to build a huge sounding dance floor slammer. Starting with a rolling bass and kick we build on the groove before adding the all-important atmosphere, synth lines and a truly epic riser. Once the elements are in place we move onto the arrangement making tweaks and using automation to build tension and help with transitions. The final result is a track that’s as addictive as the name suggests and built from the ground up in less than two hours! Oh, wait… Jerome’s offering you guys something else other than his production knowledge!
How To Make Pop with an awesome track ‘Get Gone’ featuring Stella Jones on vocals. Starting with a blank template in Cubase, Austin builds this song from the ground up with a simple but catchy chord progression followed by synth pad and lead sound design using multiple layers and percussive elements to get the initial feel and groove. Always keeping the vocalist in mind, Austin continues to build the track with wide variety and interest using further sound design, automation of filters and effects so there is plenty for the vocalist to work from. Once the instrumental is completed we get a fascinating insight into the production process as Austin chats with Stella Jones discussing how they collaborate, even though they are in different locations highlighting the pros and cons and giving a ton of tips and tricks on how to make this sort of artist relationship work. Finally, we bring in the vocals and process the stems adding some dope techniques to help them shine before mixing and mastering to complete the song.
Following on from his Tech Tips on pop vocals for a brand new course where we get to check out how to make his new single REDRUM – a sinister, hard-hitting, lyrical track that skilfully merges pop, hip-hop and RnB. Over these 17 videos, we get to watch as Austin recreates his song from scratch. Starting with the initial chord structure, a dark theme emerges that helps with both eery sound design and vengeful lyric writing for the hook. We build a basic rhythm before layering synths and percussion to help structure and arrange the track’s progression. We flesh out each of the different sections by layering further synths, atmospheres and effects to create a dope and varied instrumental, which in turn gives us a track to work from to finalise the lyrics. Austin then moves on to a detailed look at how to process the vocal stacks before we carry out the mixdown, adding ear candy, automation and tweaks, to complete the track.
From acts like Drake to PARTYNEXTDOOR and OB O’Brien, to producers including 40, Boi-1da and Future the Prince. OVO has become a style all its own. In this course you will learn how to make an RnB/Rap beat OVO style and mix the beat to a professional standard. Whether you’re an RnB or Rap fan or you just want to see how the pro’s do it – this course is designed to help you capture your swagger in musical form.
Alex Tepper, You may scratch your head upon hearing his name, but be damn sure you’ve heard some of the hundreds of releases that have been touched by his hands in almost 20 years in the business. Working behind enemy lines under a variety of pseudonyms or as collaborator to some of the biggest names in house music, his releases have had everyone from Pete Tong to Kevin Saunderson heaping plaudits on them. Since those crazy, heady days as part of the “Futureshock” juggernaut, Alex has been providing the know-how for a variety of premier league DJs, collaborating regularly with Steve Lawler, Nic Fanciulli and a host of others, who’ve come to him for a sprinkling of Tepper magic with releases on Get Physical, Cocoon, R&S, Ovum and many others.
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