How To Make Synthwave TUTORiAL

SYNTHiC4TE | Dec 24 2015 | 451 MB

It’s 1983, Buck Harrington is a young, reckless LA police detective. His latest unauthorised sting operation goes sour when two uniformed officers intervene, resulting in a high-speed chase through the city which causes widespread damage. Angry when he gets fired by his police captain, he heads out into the city on his motorbike to get back the girl of his dreams – this is his soundtrack. Buck Harrington’s soundtrack. In this ‘How To Make Synthwave’ in FL studio we bring you one of the most notable acts of the genre – Timecop 1983. Here he shows us how to capture that true classic synthwave / Dreamwave sound. Discover what drums you need to use, how to programmes baselines, pads, melody, and to use that all important reverb to make your synthwave track truly epic. In 1 hour 30 mins you will be creating the soundtrack of your dreams.

How To Make “Opium” TUTORiAL

SYNTHiC4TE | June 21 2019 | 0.99 GB

All-new ‘How To Make’ course this week and this time he’s making his and Alastor’s track Opium from scratch in Logic Pro. With the emphasis very much on ‘less is more’, Jerome proves that sometimes you only need a handful of different elements to build a huge sounding dance floor slammer. With the emphasis very much on ‘less is more’, Jerome proves that sometimes you only need a handful of different elements to build a huge sounding dance floor slammer. Starting with a rolling bass and kick we build on the groove before adding the all-important atmosphere, synth lines and a truly epic riser. Once the elements are in place we move onto the arrangement making tweaks and using automation to build tension and help with transitions. The final result is a track that’s as addictive as the name suggests and built from the ground up in less than two hours! Oh, wait… Jerome’s offering you guys something else other than his production knowledge!

Video Viral On Youtube TUTORiAL

P2P | 17 June 2019 | 655 MB

Remember Oppa Gangnam Style — the hit featuring an absurd music video starring the podgy Korean popstar Psy? It broke all records on YouTube…. As of 2019, Gangnam Style crossed 3 billion views and, its the third-highest all-time viewed video on YouTube. No doubt, YouTube had a big role to play in catapulting the little known Psy to global fame and wealth. Gangnam Style got people listening to K-Pop. So much so that in 2013, a KPop group Girls Generation won the YouTube music awards. Youtube has changed the distribution landscape totally putting power in the hands of you and me rather than a studio or channel. YouTube has allowed us to create, share, watch videos from anywhere in the world and even become famous. So, In this course we going to dive into the psychology of users and viewers. We going to ponder about the mysteries of what goes viral, what is influential and how you can make a use of it.

How To Make IDM TUTORiAL

SYNTHiC4TE | May 10 2019 | 3.26 GB

Intelligent Dance Music

Following on from his massively popular ‘Dark Room Techno’ course, welcomes back Techno virtuoso K.D for an all-new ‘How To Make’ course and this time he’s creating a sublime IDM track from scratch. Kirk’s been on top of his game since the early ’90s and a pioneer of this style, so whether you’re just starting out or a seasoned producer you know you’re in safe hands and this 3 hour easy-to-follow course gives you the professional insight into creating your very own intelligent dance track. Taking his influences from various artists in this much-loved genre, Kirk starts with a blank canvas and builds an evolving beat using classic 808 samples before laying down the main chord progression. We then add classic sounds from the Jupiter 8 and DX 7 for the pads and bass, fill out the percussion by slicing up a breakbeat before adding a beautiful melody, arpeggio and a classic 303 acid line.

How To Make Techno 2019 TUTORiAL

SYNTHiC4TE | April 11 2019 | 1.61 GB

New tutor this week, Glasgow based driving, soulful Techno producer Harvey McKay. In How To Make Techno 2019 Harvey shows us his creative process in making a dark, brooding, and downright sinister techno track from start to finish in Ableton. Starting with a sub layered overdriven and saturated kick we build tension with a rumbling bassline, pitched and crunched down hi-hats and a snare before adding the sinister main synth line created in u-he’s Repro. Once the elements are in place we build up the scenes in Ableton’s session view before recording as if playing live to lay down the basic arrangement. It’s then a case of tweaking automation and editing the playthrough to get to the final mixdown so it can be sent off for mastering.

How To Make Pop TUTORiAL

SYNTHiC4TE | March 14 2019 | 4.49 GB

How To Make Pop with an awesome track ‘Get Gone’ featuring Stella Jones on vocals. Starting with a blank template in Cubase, Austin builds this song from the ground up with a simple but catchy chord progression followed by synth pad and lead sound design using multiple layers and percussive elements to get the initial feel and groove. Always keeping the vocalist in mind, Austin continues to build the track with wide variety and interest using further sound design, automation of filters and effects so there is plenty for the vocalist to work from. Once the instrumental is completed we get a fascinating insight into the production process as Austin chats with Stella Jones discussing how they collaborate, even though they are in different locations highlighting the pros and cons and giving a ton of tips and tricks on how to make this sort of artist relationship work. Finally, we bring in the vocals and process the stems adding some dope techniques to help them shine before mixing and mastering to complete the song.

How To Make Psy Trance 2019 TUTORiAL

SYNTHiC4TE | Feb 03 2019 | 7.4 GB

Most DAW’s will have equivalent stock plugins that can recreate the sounds produced, so whatever your budget you can follow along. In this 7 hour course, we first lay down the kick and bass backbone before adding ambient textures and effects, driving percussion and awesome layered lead lines. As the track and CPU level grows we commit to rendering to audio and organise the different elements before arranging with extensive use of automation to build up to drops and an arpeggiated breakdown creating a track full of texture, risers, sweeps and impacts. Always tweaking and editing to improve, we finish off with a mixdown and then export the stems to complete a master and finalise the track.