The Hoser XT 2 The second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel EQ to give that cohesive feel to your mixes. The Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.
AQ550 3-Band Equalizer. The AQ550 faithfully captures the punch, low-frequency transparency, and ultra-tight imaging of iconic American EQs of the late 1960’s. Making use of Proportional Q intuitively widens the filter bandwidth at minimal settings and narrows it at higher settings without the need for additional bandwidth controls. This unique feature minimizes the «phase-shift» sound found in many equalizers. The AQ550 provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12 dB of gain at each point. The 21 equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost/cut are selected by switches, and a pushbutton «IN» switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the AQ550.
The Natalus Dynamic Stereo Console Equalizer (DSCEQ) is more than just a gorgeous-sounding passive equalizer. Its unique “Peak Level” control fattens audio while preserving dynamics. It does this by adding magnetically controlled dynamics processing to your signal—similar to the kinds of gentle compression and saturation you’d find in a well-calibrated tape machine.
The MEQ-5 based on Classic Mid-Range Equalizer from the ’70s, with two bands of midrange boost and one band of midrange dip, the MEQ-5 gets the very best out of the «power region» where guitars and vocals can make or break a mix. The HLF-3C completes the MEQ-5 plug-in. This plug-in has 12 dB per octave low and high cut filters, providing broad retro-tonal sculpting or bygone-era special effects, without the inconvenience of insertion loss found with the unamplified passive hardware. Save time and avoid tedious manual workarounds with MEQ-5 plug-in designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.
The 510EQ is a lightweight plugin modeled after the famous American equalizer used as a 500 module and amplified with a vintage output transformer to add smooth drive and color. At Aurora DSP, we’re always striving to improve your workflow and create plugins that will stay in your arsenal forever. We bring the advanced features of classic gear to modern musicians, engineers and producers.
The Sonoris Parallel Equalizer (SPEQ) is a minimum phase parametric equalizer in VST, AU, AAX and RTAS format for Windows and Mac. The plugin is suitable for mixing and especially mastering. It has fixed filter types on each band and band 2 to 6 are connected in parallel. The filters are build in a feedback/feedforward manner to provide cutting and boosting, like in analog graphic equalizers. Band 3 to 5 are constant-Q bells and 2 and 6 are shelves. Band 1 and 7 are low/high cuts and connected in series with the rest.
Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.
