thEQred v1.2.1 WiN

Team R2R | 11 June 2024 | 10.4MB

PLATFORM: WiN32/64 – VST/VST3/AAX

Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.

RES-Q v1.0.3 U2B macOS

MORiA | 11 June  2024 | 67.4 MB

..: AU | VST | VST3 :..

The Classic British And American Style Equalizer. An EQ plugin that combines classic inspirations into a modern powerhouse tool. ResQ integrates the smooth and robust shelving curves typical of iconic British equalizers with the precise, surgical mids of their American counterparts. The plugin boasts a versatile four-mode preamp section, capturing the essence of classic transformer and op amp designs, as well as both triode and pentode tube models. These modes enable rich, harmonic saturation that can either subtly enhance or significantly color your audio. Designed with musical frequency selections in mind, ResQ ensures that every adjustment is musically coherent, allowing instruments to seamlessly blend or stand out in a mix.

Kikzilla v1.x.x WiN MAC

Team R2R | 28 February 2024 | WiN: 4.8 MB | MAC: 16.04MB

PLATFORMS: WiN64 – VST/VST3/AAX | MAC: AU/VST/VST3/AAX

kikzilla is the only tool that creates rumble for your techno kick drums in a simple way. Of course kikzilla’s gated reverb, damping, distortion and EQ are also useful for any other drum instrument. Record a rumble with the freeze function. Let kikzilla play it back forward and backward. Drag and Drop the forward or backward freeze samples to your DAW as single or 4-beat samples.

990 Spark Multiband v1.0.0 WiN

Team R2R | 03 July 2024 | 4.1MB

990 Spark Multiband is an advanced 4-band saturator unit, based on three core modules: Compressor, EQ, and Saturator. This unique synergy enables users to sculpt their sound with precision and creativity, unlocking a rich spectrum of saturation effects, from subtle warmth to bold distortion. In the core of 990 Spark lies a suite of carefully crafted saturation algorithms, including emulations of Diode, Triode, and Pentode circuits, while the Compressor and EQ modules provide the ability to balance dynamics and spectral characteristics. Within each band, users can select from 16 saturation algorithms, 4 compressor types inspired by MIA’s renowned compressors (925, 409, Compressor ONE), and 8 filters, including Musiqual EQs (Red, Green, Blue), along with the essential filter options (HP/LP/Peak/Shelving filters).

EQ3 v3.5.3 WiN

BUBBiX | 26 June 2024 | 99 MB

..: AAX, VST2, VST3, x86, x64 :…

In the ’80s it was the first to use a different approach to tonal adjustments. In conventional analog equalizers, whether they are shelving, sweepable, graphic or parametric types, various sections of the audio spectra are boosted or attenuated by adding or subtracting bandpasses. In this case, frequency shaping is achieved by summing bandpasses. Our emulation of this method is quite similar to the original and improved with additional possibilities of digital technology. Now you can hear it for yourself. There are five broad, overlapping, interacting bands: 10 (Sub), 40, 160, 650 and 2.5 кHz, along with the «rock (airy) band» control, which is an HF boost-only control. When using the EQ3, remember that the bands are broad, approximately 2 octaves. They overlap one another. For example: when boosting the 10 kHz «rock band» to a +6 position on the knob, to keep the response flat through in 2.5 kHz region you should rotate the 2.5 kHz coarse knob to about a -1 position. The amount you back off the 2.5 kHz control should, of course, be set by ear. Following this kind of procedure will accomplish a more airy sound, with much more clarity.

AQ560 v3.5.3 WiN

BUBBiX | 23 June 2024 | 58 MB

..: AAX, VST2, VST3, x86, x64 :…

AQ560 10-Band Graphic Equalizer. The AQ560 based on Classic American EQ from the late ’60s, the 10-Band graphic equalizer features precision filtering and high headroom, ideal for signal enhancement. The curve shaping potential is unmatched, while unique Proportional Q design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. The AQ560 is handy when you need to make EQ adjustments on larger parts of the spectrum instead of a restricted area. Boosting or cutting several bands at once will radically alter the sound of a track, be it a thin, weak snare that needs low end or a dull vocal that needs to be opened up. The AQ560 extends the features of the original hardware and joins the flexibility of the digital world to the character of the analog processing. The AQ560 plugin designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.

AQ550b v3.5.3 WiN

BUBBiX | 24 June 2024 | 30.9 MB

..: AAX, VST2, VST3, x86, x64 :…

AQ550b 4-Band Equalizer. Based on Classic American EQ from the late ’60s, the AQ550b is a continuation of the EQ that played a major role in the history of music recording, but with an additional filter band and several new frequencies. With a surprisingly wide range of tonal variations, the AQ550b is an invaluable and professional audio tool with great flexibility and excellent sonic ability. Rather than offer a huge assortment of complex features, the AQ550b provides exactly the right number of controls. Its four EQ bands are overlapped significantly to aid in dual roles as problem solver and sweetening device with each band offering seven switchable filter frequencies that span four-to-five octaves. These frequencies, purposely selected to be musical rather than numeric.