This course covers the common EQ shapes, spectrum meters, dynamic EQ, phase functions, and more. Learn how to shape your tone like a pro with this two part 20 minute series that breaks down everything you need to master your EQ.
The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.
The classic EQ, now as a VST and an AU… This equalizer comes packed with features, and more importantly, it sounds AWESOME. High cut and Low cut filters, High and Low Shelf filters, up to 6 bands of Bell filters (all with completely sweep-able filter points and adjustable Q sizes). 2 world class EQ algorithms to choose from (good luck!). 30 band spectrum analyzer ‘on board’, along with an intuitive ‘dual surface’ graphical interface…
A linear phase EQ with unparalleled clarity. For mastering ears, and other discerning engineers. Fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.
Beautiful analog architectures, twelve in all, that will take your work out of the ordinary. ThEQblue builds on the groundbreaking foundation of Algorithmix’s Classic PEQ Blue, while bringing that reference quality into the 21st Century. thEQblue is a collection of up to twelve minimum phase equalizer architectures, all employing 80 bit floating point internal precision. We reverse engineered a variety of well respected hardware EQs, creating idealized digital versions from that inspiration. Rather than models or simulations that carry analog “baggage,” thEQblue has no noise, distortion or other secondary effects inherited from analog.
Why develop yet one more minimum phase parametric equalizer (PEQ) when there’s already hundreds on the market? The answer is simple…’Cuz there was room for improvement! It was customers of the original LinearPhase PEQ Red and Orange who asked Algorithmix to develop a classic EQ, for recording and mixing tasks, with unparalleled purity and transparency. Over several years, our Dr. Christoph closely analyzed many of the best out there, and compiled a vast knowledgebase of analog EQ best practices. Cherry picking from that, he implemented not just one or two, but an entire collection of trad minimal phase EQs. The result? A distillation of analog antecedents, while others are based on new ideas.
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