Music Theory: Electronic Music Producers

Team iLLiTERATE | 21 September 2020 | 9.55 GB

..:: The Complete Course! ::..

Learning how to write and create music effectively will dramatically improve the quality of your music and the speed you create it. In this course, you will gain a deep understanding of Music Theory and ideas techniques and formulas to use when creating your own electronic music to allow you more options. You’ll learn the beauty and the power of music theory that’s used by professionals today. This course will cover such topics as major scales, minor scales, major chords, minor chords, diminished chords, chord progressions, modulation, relative majors, relative minors, modes, song analyse, deconstructed several tracks, writing a song from a drum beat, how to write a song from a chord progression, how to write a song from a melody, how to write melodies, how to write harmonies, how to work out keys and scales, pentatonic scales, and more.

Electronic Sound Issue 63

English | 100 pages | PDF | 14 MB

It’s been a long ride with the ever-pulsating brain at the centre of the Ultraworld we know as The Orb. Alex Paterson has steered his cosmic vehicle through several decades of sound, so much so that their ineffable mix of influences has become a genre unto itself. Well versed in the atmospheres and moods evoked by the ambient music created by Brian Eno, Patterson shaped that calming music into a framework of Jamaican dub, a downtempo mutation of acid house and whatever else was passing at the time. The result was ideal for the post-club experience, music that filled the room, but didn’t require any athletics from its energy depleted listeners. They could drift away as The Orb’s reassuring soundscapes swaddled them in cosy pillows and little fluffy clouds. They called it chill out.

Electronic Musician November 2020

English | 68 pages | PDF | 39 MB

Electronic Musician is not merely a recording magazine but covers all aspects of music production—performance, recording, and technology, from studio to stage. EM finds the top artists and producers – as well as all the musical trendsetters – and gets them to advise, mentor, and detail their craft. Each issue gives you the tools you need to make better music, from production to performance. Plus tips and techniques, gear reviews, and insights from today’s top artists.

Revealed Collection Vol.1-3

SYNTHiC4TE/FANTASTiC | 27 Sep 2020 | 4.96 GB

WAV, MiDi, SPiRE, SYLENTH1

Collection of Revealed Packs containing presets for SYLENTH1, SPiRE and WAV / MiDi Samples. Genre Style: Electronic and EDM.

In The Key Of A WAV

JKST | 30.03.2020 | 2.95 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

In The Key Of Bb WAV

JKST | 30.03.2020 | 4.5 GB

This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.

HiVE 2 Bass & Korg Drums Vol.1

TALULA | 01.04.2020 | 101 MB

H2P | WAV | 24-bit / 48 kHz

Expect the unexpected – Hive 2 Bass & Korg Drums V1 is absolutely pumping bass kicking soundpack. And it have a 3 reasons to be like that – stunning Hive 2 Bass pack(ARP basses, deep & razor basslines), hi-end Korg Drums, recorded from Korg’s top hardware synthesizer workstations(which incorporate the best korg drum sections of the whole history) – Kronos & Krome and also magnificent set of transitions and impacts FX’s that can quickly fill in the gaps in your products. Breakbeat, Techno, Tech-House, Synthwave, 90’s Club House, Psychedelic Trance, Electronic and Progressive House/Trance – the list of styles in the demo presented. All sounds can be perfectly fit it.