EWQL Symphonic Orchestra Woodwinds Library

TEAM DELiRiUM | 04-06-04 | DVD1: 3.97 GB | DVD2: 3.94 GB | DVD3: 3.95 GB

DVD4: 3.94 GB | DVD5: 818 MB

The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was recorded where orchestral instruments sound their most natural – in a “state of the art” concert hall. Listen to the pure beauty of the “critically acclaimed” Symphonic Orchestra and “state of the art” 125 million dollar Concert Hall that were captured, using custom built recording equipment, by audio legend – Prof. Keith O. Johnson – recipient of two GRAMMYS, plus eight additonal GRAMMY nominations for his 90 plus Classical Recordings. This is the first 24-bit orchestral sample library to include three simultaneous stereo mic setups (close, stage and hall), so users can mix together any combination of mic positions to control tone and ambience.

Trance Inducer MULTIFORMAT

Team: DYNAMiCS | Sep 1, 2013 | 1.20 GB

FORMAT: ACiD / WAV / AiFF / Apple Loops / REX2

The SoundSense Series, created to provide music producers with professional quality sounds at fantastic value for money. The SoundSense Series maintains ZG’s tradition of virtuosity, value and variety. TRANCE INDUCER fuses the energy of modern dance, trance and electro into a complete one-stop production solution.

Academic Grand MULTiFORMAT

Team DYNAMiCS | Aug 2012 | 1.39 GB

We have been working in collaboration with Lance Herring on this project. The AcademicGrand is a 1963 Steinway D concert grand which has seen countless recitals and concerts over the years where it served as the University of Arkansas’ primary concert instrument. The piano has been an inspiration to hundreds of students and visitors, and with being well-maintained and cared for, it’s a wonderful instrument with a unique history and classic American Steinway sound.

Circle Bells KONTAKT DVDR

TEAM DYNAMiCS | v.1.0 | May 17, 2011 | 4.2 GB

We spend a great deal of our time finding and/or creating new instruments that are not commonly known and the Circle Bells are no exception. We managed to get our hands on a very unique tuned percussion instrument, which is made by an artisan in the San Francisco Bay Area and can only be found in a handful of local music shops. The maker makes only one at the time, so there are very few of them available in the world. The instrument sounds somewhere between a Gamelan, Glass Waterbowl, Prayer Bowl and something extraterrestrial. It is made of an array of 6 steel cone-shaped bells, ranging from 2″ to 3 1/2″ in diameter and each about 10″ long.

Frendo KONTAKT DVDR

TEAM DYNAMiCS | Dic 15, 2012 | 1.2 GB

Frendo is a custom-built Tonehammer instrument. We created this monster by stringing bailing wire around and through through steel plates and bolts, over galvanize steel piping and across wood planks. It was meant to suffer. You can help it by mistreating it in horrible ways with screwdrivers, bows, drum sticks, mallets and fingers. The instrument holds a vast amount of otherworldly sounds, which is ideal for composers looking for new disturbing, horror-like textures for their scores. Frendo is partially a mallet instrument, recorded with wooden and rubber mallets, but is also a more traditional string instrument, since we recorded finger plucks and bows. It’s the sound of Satan’s cello, weeping softly for your burning soul.

Cylindrum KONTAKT WAV DVDR

DYNAMiCS | Jul 10, 2010 | 945 MB

The “Cylindrum” is a massive custom built tuned percussion instrument ranging over 4 octaves, so a percussionists dream come true. We spent over two years figuring out how to build and record the whole thing, since there is a rather complicated set of mathematics behind cutting and tuning all of the pipes to create each note. It operates using the principle of open and closed air column resonance. Overall, it sounds like some kind of strange organic synthesizer morphed into a broad array of tuned tom-toms.

Italian Harpsichord Edition Beurmann WAV GiGA

TEAM DYNAMiCS | March 2010 | 1.65 GB

The Italian Harpsichord library contains a historical harpsichord built in 1579 by Pierluigi in Livorno. Sharing its tonal qualities for almost half a millenium, it is a classic example of how Italian harpsichords were built for about 200 years. Compared to its Dutch and English siblings, the Pierluigi harpsichord stands out due to its light and simple design (one 8′ register) and mostly because of its fundamental, sonorous warm and deep tone. This unique instrument in the collection of Andreas Beurmann still remains in excellent playable condition despite its age. It is now available for the first time for your sampler within the Italian Harpsichord library, presented in its original meantone tuning at 383 Hz (Presets in 440 Hz are included as well).