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  • Boost v1.0.2 AU VST WiN MAC-R2R
    July 30th, 2017 ⚡
    Categories: AU, macOS, VST, WiNDOWS, x64, x86

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    Boost v1.0.2 AU VST WiN MAC

    Team R2R | 2017.04.09 | WiN: 18.2 MB | OSX: 92.3 MB

    Boost is a simple, powerful mix finalising utility designed to get your music sounding as full and polished as possible using a minimal amount of processing. Utilising cutting-edge low-latency DSP, Boost adds multi-band compression, 4-band equalisation, stereo enhancement, brickwall limiting and filters out inaudible low frequencies to give a fuller, louder and wider mixdown. Hear dynamics spring to life, drums explode with energy, basslines punch through and high end revitalise with glistening sheen. Boost is placed on the mix buss and can be used to master a processed track, subtly enhance an already finished project, or completely sculpt the dynamics of your song from start to finish, breathing fresh life into your music and readying for commercial release, club or radio play. Take an idea from start to finish using just 4 simple smart controls.



    Viewed 4574 By Music Producers.


    • AF2-10 Bundle v2.4.9 AU VST WiN MAC LiNUX-R2R
      February 16th, 2017 ⚡
      Categories: AAX, AU, LiNUX, macOS, VST, VST3, WiNDOWS, x64, x86

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      AF2-10 Bundle v2.4.9 WiN MAC LiNUX

      Team R2R | Feb 16 2017 | WiN: 3.4 MB | OSX: 8 MB | LiNUX: 4 MB

      WiN32/64 – VST/VST3/AAX / MacOSX – AU/VST/VST3/AAX / LiNUX – VST

      A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



      Viewed 6423 By Music Producers.


      • Hammer DSP v1.0.0 WiN-AudioAUTOPiA
        October 29th, 2016 ⚡
        Categories: AAX, VST, WiNDOWS, x64, x86

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        Hammer DSP v1.0.0 WiN

        Team AudioUTOPiA | Oct 29 2016 | 42 MB

        AAX* / VST2 / x86 / x64

        The fact that the Hammer EQ is now plugin. The Hammer’s mythical top end sheen and tube-thickened low end quickly earned it a permanent place on mix busses around the world. Me, I’ve always been partial to its smooth, bite-free midrange—something that’s difficult to find in any EQ, let alone in a plugin. Try a little bump at 50Hz, 800Hz, and 10k, and your mix will noticeably pop out of the speakers. That one’s called ‘Subtle Vintage Points”, one of over 60 custom UBK presets that are destined to bring a lot of magic to a lot of tracks in the near future.



        Viewed 4544 By Music Producers.

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