Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.
Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.
MODERN COMPRESSION: How To Use Today’s Top Techniques For Massive Mix Dynamics – Parallel Processing, Master Bus Compression, Mid/Side, Multiband, And Much More
Computer Power User is a monthly publication aimed at people who breathe, eat, and sleep technology. The kind of person who gets his kicks upgrading graphics cards and smashing benchmarks. The type of person who reinstalls Windows at 2 a.m. because his system keeps crashing while he’s encoding video.
Computer Core consists of mad sound FX, distorted bass drums, noise sounds and dark atmospheres to add that extra edge to your production.The pack contains perfectly cut Rex 2, Acid wav and Apple Loops for ease of use in any DAW. The pack is also available as a Reason Refill.This Core pack is armed with 53 insane noises, 11 atmospheres and 95 pounding loops from 145 bpm to 160 bpm. Loads of one shots are also included so you can program your own mad grooves. The drum hits can be used on their own or can be layered with your sounds and can be used in any Hard Electronic production.
Computer Music’s goal is to help its readers create great music with a PC or Mac. Each month find easy-to-follow tutorials for all sorts of music software, unbiased reviews of the latest products and answers to technical questions.
Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box gives readers the practical tools for accomplishing both of these tasks while highlighting the artistry of the creative process. While much of the information presented in Mixing and Mastering in the Box is applicable to those using analog mixing gear, or a hybrid of digital and analog tools, the book focuses directly on working completely within the Digital Audio Workstation (DAW). Author Steve Savage lets readers in on such topics as the secrets of collaboration and using EQ, compression, delay, reverb, and brickwall limiting to improve the sound of records, each topic illustrated with a myriad of concrete examples.
