Native Bus Compressor 2 WiN

Team R2R | 29 September 2021 | 20.0MB

PLATFORM: VST/VST3/AAX(MOD)

The centre section compressor from 1980’s G Series analogue console is an audio production legend. It is the secret behind countless classic recordings. It is a simple unit with a simple purpose; it makes complete mixes sound bigger, with more power, punch and drive. It brings cohesion and strength to your mix without compromising clarity. Bus Compressor 2 Plug-in boasts a host of enhancements, including new Attack, Release and Compression ratios for added flexibility with individual sounds and subgroups, in addition to inbuilt wet/dry and S/C HPF control, as well as switchable 2x and 4x Oversampling…

PComp v1.1 WiN MAC

TEAM R2R | 27 September 2013 | WiN+MAC: 4 MB

…::: AU, VST, x86 :::…

PComp is a universal dynamic range compressor of audio signal.

AR-1 v1.0.7 WiN

Team R2R | 24 Sep 2021 | 31.8MB

..::Vintage Mu Compressor::..

AR-1 is a variable-mu tube compressor whose roots are in the raucous sound of the rockin’ American 50’s, yet it enjoys a posh, tea-sipping British image thanks to its use at Abbey Road Studios in late 60’s, notably on the later Beatles and earlier Pink Floyd records. Kush painstakingly captured the sweet breakup of AR-1’s beefy tubes being driven into the dirt, then added more than a half dozen significant UI and functional enhancements. The resulting emulation is every bit as chunky as the original, and 10x more flexible.

TDR Limiter 6 GE v1.2.4

P2P | 21 October 2021 | 27.9 MB (FiX LiNKS)

PLATFORM: WiN32/64 – AU/VST3/VST/AAX

TDR Limiter 6 GE is a modern dynamics compression and limiting toolkit featuring six specialized modules that can be arranged in variable order. Together, they cover a remarkable range of applications from delicate loudness control, to brutal “brick-walling” and creative mix bus crunching.

QB3 v1.1 VST x86 WiN

TEAM ASSiGN | 25 DECEMBER 2010 | 16.3 MB

SixtyFive is a vintage-style, RMS Compressor, inspired by the dbx? 165A, a classic 1970’s compressor found in many studios, but it also adds a couple of new twists. It’s a soft-knee RMS compressor with a vintage flavour. The RMS detection and soft-knee help to give a smooth and musical compression experience, the non-linear response imparts character and the gentle saturation brings colour and warmth. As well as all of the originals features, this version adds parallel compression, extended knob ranges and peak metering. sixtyfive can deliver a range of compression from gentle smoothing of vocal performances to brutal slamming of your drum buss. Enjoy!

Material Comp v1.0.5e MAC

Team FLARE | 07 July 2021 | 155 MB

..:: AU, AAX, VST2, VST3, 64Bit ::..

Added MORiA VERSiON

A cutting-edge compressor that is equipped with ”DFP(Division of Force Processing)” a technology that VQ spent 3 years developing to thoroughly reproduce the nuances of an analog circuit. Mastering grade signal processing technology can be achieved with an extremely low CPU load. The internal processing is fully 64 bit and produces sounds with unbelievable transparency.

OptoRED v1.1.0 WiN MAC

Team R2R | 2021.10.24 | WiN:7.9 MB | MAC:27.7 MB

PLATFORMS: WiN64 – VST3 | MacOSX – AU/VST3

OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.