Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
The Opticom XLA-3 is a powerful and flexible optical compressor. Glorious tube sounds and opto-electric vibe, featuring steel covered military-grade components. Slap it across the drum buss for solid and seamless LA-2A style leveling. Force vocals through the input to add grit and attitude to a wimpy take. A unique “Amp Mode” allows you to to add harmonic color to your signal without even touching the dynamics. The original XLA-3 hardware features three compression responses. Each treat sounds in a totally different way.
Introducing STAGATE The legendary American tube compressor from the 1950s. INSPIRED BY THE LEGENDARY AMERICAN TUBE COMPRESSOR FROM THE 1950S, THIS CUTTING-EDGE EMULATION CAPTURES THE ESSENCE OF THE ICONIC VARIABLE-MU DESIGN AND ITS CHARACTERISTIC TUBE WARMTH, OFFERING UNPARALLELED SMOOTHNESS AND MUSICAL COMPRESSION. FEATURES THE SINGLE (SLOW ATTACK, SLOW RELEASE) AND DOUBLECFASTER ATTACK, FASTER RELEASE MODE FOUND IN THE ORIGINAL.
3-Band Multiband Compressor. Elevate your audio with precision and ease using THR MB-Control, the intuitive 3-band multiband compressor designed for producers and audio engineers who demand both quality and flexibility in their workflow.
P42 Climax is an innovative multifaceted powerstrip for tone shaping/coloration, saturation and conjures more of the idea of working with hardware. P42 Climax begins with the heartbeat of a hardware line amp, and ends on every single track because it has the cpu coverage to do so (more than 300 instances in a single session). Sculpt your perfect sound whether processing a single instrument, grouped tracks, the 2-bus or even when mastering. The sound is simply… unbelievable! Don’t underestimate the few parameters in P42 Climax. It is chameleon like, able to assimilate many different coloring hardware devices, but never intended to copy any single one! P42 Climax works magic on drum bus, snare, and of course the bass guitar. Inserting P42 on the 2-bus track, immediately opens up your mix and exposes hidden gems in your mix. With its Mid/Side processing and detailed metering (peak, RMS and LUFS) and Auto. Gain Compensation workflow, P42 fits nicely into your mastering signal chain.
The original 1176 compressors are known for their fast attack, punchy sound, and ability to add density and sustain to a wide range of audio sources. SA-76 not only captures these classic characteristics, but its got a suite of modern features and controls to take your sound to the next level.
Crunchessor is a track compressor AAX, AudioUnit, and VST plugin for professional sound and music production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its analog tube-alike processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness. Beside this, Crunchessor offers you a selection of compression coloration styles, by itself a pretty unique feature for a compressor. By choosing an appropriate style, you can add the coloration most suitable for the sound material you are working with. As an option, you can disable both coloration and tube processing to get a neutral and clean compression sound. Being a multi-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Crunchessor also accepts external side-chain source signals and allows you to filter the key signal before it is used for compression.
