mber 3 offers an accurate reproduction of an original class A optical compressor, plus a redesigned version of an iconic EQ and preamp created by a celebrated American company.
Auto-Tune Vocal Compressor combines the most popular vocal compression styles and controls into one powerful plug-in.
This plug-in models British-made preamps, compressors, equalizers, and transmitters. It models multiple actual units, including vintage units, recent units, and modified units, and can be used in combination with them. Model N Channel is not just modeling the sound of the original preamp, comp, and EQ alone. It features modeling of the sound qualities and tones routed in large recording studios, including sounds through British consoles, cables, bantam patch bays, and even AD/DA, which can add a strong analog texture.
MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
Squeeze and Unfold. The VCE-118 is a unique dynamics tool based on the breakthroughs that occurred in the advent of VCA technology in the early Seventies. Its reputation as a secret weapon lies in its special ratio implementation, which enables both compression and expansion, combined with its special linear mode as a powerful fuel for bending dynamics as a creative effect.
Based on a never-before modeled piece of analog gear, this is a devastatingly aggressive compressor with a LOT of character.
Vac Attack is an analog-modeled optical limiter plugin that’s intended to control the dynamics of individual tracks and groups. The vacuum tube saturation circuit introduces harmonically-rich warmth and character to vocals, drums, basses, and your stereo bus.
