AIM provides you with a vast collection of cinematic sound effects like hits, whooshes, risers and others with tools simplifying your workflow: hit point syncing, instant sound manglers and one-key rhythm builder.
Attractor is a comprehensive Kontakt library for the composers and producers of soundtracks, cinematic and trailer music. It is a wonderful inspiration and production tool. This sound pack includes all-new sound effects in multiple categories, such as hits, whooshes, drops, bends, alarms, tonal elements, pulses and much more. Attractor library contains not only Kontakt instruments, but also uncompressed WAV samples to provide the best usability, whether you prefer to drag-and-drop sounds to your DAW or use Kontakt.
Fan of Bumblebee, Optimus Prime and Megan Fox? Well, we’re not gonna deny Megan couldn’t make it, however, the actual Transformers crew has never been better captured on audio! Have a listen at the demo below and see for yourself why we think this is probably the most epic industrial / machine / robo sound collection ever. We promise: you’ll still be able to hear every single screw move on the autobots. Plus we securely attached some decepticons for all who like it even darker. More specifically, you may experience complex impacts, hydraulic movements, robotic vocal manipulation, breathtaking atmos, drills, shutdowns, startups, synth machines, user interfaces, heavy drums and fat basses. Every single sound is produced with the utmost attention to detail and multi-purpose ready, including Computer Games / Film / Cinematic Compositions and of course Music Productions such as Dubstep, Techno, Drum n Bass, Breakbeat and similar. Starting from the very first bit this massive sample collection is meticulously processed using the latest sonic technologies, and is provided as easy-access folders.
If you’re in the process of creating a captivating trailer or cinematically engaging visuals, the need for high-quality transitional textures and movements is essential. SoundMorph’s Motion Graphics sound library provides precisely that, catering to all your needs for sound design in a trailer, cinematic scene, or motion graphics-heavy visual. Motion Graphics is a comprehensive library that covers a broad spectrum of elements and textures, ideal for any project, whether it be abstract or straightforward. This library is not merely a collection of sounds; it’s a carefully curated selection of audio components that breathes life into any motion graphics work, making it more immersive and engaging. As sound designers, we often encounter the need for specialized sounds that complement motion graphics in our projects. The Motion Graphics sound library is an indispensable addition to your toolbox, designed to address this specific requirement. It’s not just about having a variety of sounds at your disposal; it’s about having the right sounds that align perfectly with your project’s vision. Enhance your sonic palette with Motion Graphics, and let your creative journey take flight.
Spark is a playground of bite-sized sounds that blur the lines between organic charm and electronic precision. From crisp synth stabs and shimmering mallets to quirky percussive blips, every sound in SPARK is designed to catch the ear and ignite ideas. Built on a 2-layer hybrid engine, SPARK lets you weave together unexpected sonic pairings — a glockenspiel flicker wrapped in analog warmth, or a dusty synth chirp bouncing off a wooden click. The result? Sounds that feel alive. Playable textures that groove, glitch, glide, and growl — perfect for inventive hooks, driving patterns, and musical surprises. SPARK thrives in the space between rhythm and melody. It’s fast, fresh, and deeply inspiring. For composers, producers, and sound designers alike, SPARK is your go-to tool when the usual just won’t do.
Kasey is a soft, cinematic female legato vocal library. Continuing our exploration of solo vocal legatos, we wanted to capture a timbre often heard in modern film music: delicate, ethereal, pure, and deeply expressive. Included are four vowels: Ooo, Oh, Mmm, and Ah, each performed very softly and without vibrato to create an angelic, lilting tone. We’ve also included an inhale Breaths patch to naturally preface phrases, and Untold Stories, a collection of custom vocal pads sculpted from Kasey’s original recordings.
Twilight II marks the final chapter in our Omnisphere 2 series – a fitting conclusion to a legacy that has underscored countless soundtracks, scores, and cinematic compositions. Where the original Twilight carved out a language of breath-held stillness, unease, and shadowed atmosphere, Twilight II pushes that world further into the dark – where truth bends, instincts sharpen, and the unknown feels close enough to touch. Delivers 300 new cinematic Omnisphere patches purpose-built for modern scoring and crafted with a strong emphasis on tempo-driven design, paired with tonal detail and quiet dramatic weight. At the heart of Twilight II are 120 ARP + BPM presets, ranging from driving pulses and rhythmic motifs to tense sequencer patterns, engineered for cinematic storytelling and narrative momentum. These BPM based presets make up a striking one-third of the entire library, positioning Twilight II as a go-to toolkit for composers who rely on pace, movement, and rhythmic undercurrents – just like its predecessor.
