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MaGeSY ® R-EVOLUTiON™⭐⭐⭐

  • EfexMedia Analog Infinity v1 EXS24 DVDR-EtHnO
    October 2nd, 2015 ⚡
    Categories: Audio Samples, EXS24

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    EfexMedia Analog Infinity V1 EXS24

    Team EtHnO | 03.01.2004 | 1.03 GB

    Infinity V1 is a truly expressive analogue powerhouse of sonic quality. It has previously only been available to Film industry writer/composers and UK Advertising/Game Industry professionals.
    Data: 2.5 Gigabytes / DVD with more than 1,500 individual aiff samples. Special attention has been paid to the final sound programming level in oursoundware production routines to bring you some of the finest sounds around. Load them into Reasons NN-XT or emagics EXS24 sampler and reproduce soundsof highly responsive patches produced on the very best custom analogues. In the same tradition as the most natural sample sounds that are available today, Infinity V1 uses long sustaining samples with no hint of any unnatural looping artifacts. By using no Loops, you can be assured that the synthesizer is perfectly reproduced. Professionals know that this technique is by far the best solution as even,a single badly looped sound can render the best of sounds, unusable in a professional Mix.



    Viewed 5799 By Music Producers.


    • Trap Midi Loops Vol.1 MiDi-AUDIOSTRiKE
      July 18th, 2015 ⚡
      Categories: Patterns MIDI

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      Trap Midi Loops Vol.1 MiDi

      AUDIOSTRiKE | 17/07/2015 | 20 KB

      Hex Loops proudly presents Trap MIDI Loops Vol 1, an awesome collection that includes 260 MIDI loops files extracted from some of our best sound packs released: Trap Hustlaz, Club Bangers, Dirty Rush, Lex Extra Loops, Trap Arena. This sample packs are some of the best packs. If you have previously used MIDI files for your productions then you know how much freedom provide when it comes to sound design, create new samples and loops. Trap MIDI Loops Vol 1 content allow you to seamlessly mix your favorite synths and samplers to create your own original sounds. You’ll find all the essential elements of the Trap genre inside this pack, from piano, keys, sax, brass, synth, leads, pads, strings, bass guitar to 808s drums, snares, hihats, choirs, percussion and much more cool patterns ready to create your next hit!



      Viewed 4254 By Music Producers.


      • Renegade Warrior WAV-KRock
        July 17th, 2015 ⚡

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        Renegade Warrior WAV

        Team KRock | October 05 2011 | 250.11 MB

        ‘Renegade Warrior’  is a new series that represents the hottest Hip Hop & East Coast mixture of music you will ever hear.  Mixed some many different styles in this awesome pack containing 15 Energetic Based Construction Kits. This pack will not only make you a beast in your production but it will turn you into a Renegade Warrior! You’ll find split track musical compositions in the styles of some of the biggest contemporary Hip Hop & East Coast, tempo and key-labelled and ready to use in Sony ACID Pro, Logic, Reason, Pro Tools, Cubase and more.



        Viewed 5404 By Music Producers.


        • Miroslav Vitous Orchestra Woodwind Brass Ensemble Version 2.0 EMU-CHiC
          May 30th, 2015 ⚡

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          Miroslav Vitous Orchestra

          Woodwind Brass Ensemble Version 2.0 EMU

          Team CHiC | 2003/05/05 | 392.36 MB

          One might say to die for, but perhaps it would be more advisable to stick around and enjoy these first-rate sounds, created by the ex-bassist of Weather Report and an unnamed European orchestra. Digitally recorded in stereo throughout, the ensembles retain just the right amount of ‘hall’ in the sound. Expensive, but very good. The first version of this library had no loops, to the bemusement of keyboard players everywhere, but version 2.0 (reviewed here) contains looped sounds. However, Miroslav Vitous himself considers the unlooped samples superior in quality and strongly urge-using them for mastering, which is fine as long as your composition doesn’t employ any very long notes!



          Viewed 5613 By Music Producers.


          • Studioline 07 Brass EMU-DViSO
            May 27th, 2015 ⚡
            Categories: Audio Samples, E-MU, Presets

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            Studioline 07 Brass EMU

            Team DViSO | 17.10.04 | 349.86 MB

            This collection features a wide diversity of brass sounds, and is suited to any kind of music you might imagine. These are not loops – these are the raw sounds taken from each group of instruments, meticulously multisampled. This is an incredible bargain, containing very useful, dynamic sounds that can be used in many different software programs or hardware samplers, listed above.



            Viewed 3365 By Music Producers.


            • Balkan Brass and Breakbeats WAV-AUDIOSTRiKE
              May 9th, 2015 ⚡
              Categories: Audio Samples

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              Balkan Brass and Breakbeats WAV

              AUDIOSTRiKE | 07/05/2015 | 759 MB

              Original and unique take on brass and breaks, a massive selection of balkan inspired saxophone melodies and hard hitting live drum loops and hits. These loops area designed to provide real punch and head-nodding raw grooves to your productions. Suitable for styles from multi tempo breaks, left field trip hop, balkan beats, gritty raw live electronica Motown inspired raw pop beats, world music and more. The main focus on this pack is providing a sound palette full of rich character, analogue warmth , human feel and classic sounding melodies and breaks, all brought together in a highly useful way for modern producer.



              Viewed 3703 By Music Producers.


              • Orchestral Brass Ensembles DVDR GiGA
                April 9th, 2015 ⚡
                Categories: Audio Samples

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                Orchestral Brass Ensembles GiGA

                Team AI/CoBaLT | 2004/2005 | 15.89 GB

                Orchestral Brass Ensembles (henceforth known as OBE) consists — perhaps unsurprisingly — of orchestral brass ensembles recorded in a 2500-seater concert hall, using players (uncredited, as usual) from an American symphony orchestra. Two mic positions were used, one 30 feet from the players, the second 100 feet back to capture the hall reverb (see diagram, right). This lavish use of space created a collection of big-sounding samples known as the ‘symphonic’ recordings. In order to offer users sonic choice, Kirk also recorded a second set of samples in the same hall, but first made some significant musical and acoustic changes; section sizes were scaled down, and huge baffles were positioned on stage and in the hall’s ceiling, creating a smaller, more focused room sound (the layout for this setup is shown on page 138). The second sample set, less reverberant and more present-sounding than the first, are called the ‘chamber’ recordings.



                Viewed 3279 By Music Producers.


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