‘911 Tropical Bass’ contains creative samples suitable for genres like Tropical Bass, Jersey Club, Moombah, Trap, Hip Hop and more. You’ll find 430 sounds including phat basses, twisted beats, automated synths, vocal cuts, and punchy one-shots. Let’s not forget the swelling drum loops and fills and 30 sound effects ready to be drag and dropped into your favourite DAW. Enjoy!
‘Bass Boosted’ is a mutant mix of Hard Trap Beats and Epic EDM Synths, inspired by the artists like Yellow Claw, Marshmello, San Holo, Illenium, Odesza, Cashmere Cat, The Chainsmokers, Porter Robinson, Alison Wonderland and more. All sounds from this pack are professionally designed and processed to sound perfect in the mix, check this powerful demo track and grab your copy of this product. The samples are original and 100% Royalty-Free, which means that you can use them in your own Tracks, release on Music Labels, use for Commercials, YouTube, Radio and more. In detail expect to find 627 MB of WAV files recorded at 160 BPM, including 120 One-Shots, 40 EDM Melody Loops, 30 Phat Bass Loops, 60 Drum Beats, 70 MIDI Files, 20 FX, 130 REX2 files and unlimited inspiration.
‘Boombastic Trap’ saw the label team up with their best in-house producers to create this mind-blowing and super creative Modern Trap sample pack. At 150 BPM it is ready to drag and drop into your DAW to easily get started on your creative ideas. It is a twisted fusion of Trap/Future Bass beats, creative synths, processed real recordings, FX, vocal cuts and much more. Add this collection to your arsenal and you’ll be well on your way to creating effortless, fresh Trap music.
‘Dat Bass’ brings awesome “In Your Face” bass loops, punchy one-shots, groovy drums, strange synths, and House melody loops – everything you need to produce a new Club Banger. Check out the interesting sound effects, the big drops, and the rhythmic beats and pulses, all backed up by integral drum loops and fills for the ultimate House Club tracks.
DnB legend returns to the community to share his secrets for producing incredible Neuro-style basslines. His 2 hours of comprehensive tutorials cover sound design, arranging and composition, mixing and processing, all with Logic’s built-in instruments and effects. The first few tutorials focus on designing bass patches, where uses Alchemy and EXS24 to create a number of gnarly sounds, featuring different sonic textures and LFO-driven movement. The presets are then drawn and played into the timeline to create an exciting 32-bar phrase, with call and response and automation employed to ensure dancefloor satisfaction. The remainder of the course then shows how to process the basses via different buss channels to get the mix sounding chunky but clear, with both drums and bass finding their own unique space.
Bass House is one of the freshest new sounds in dance music, tearing up underground club nights and major festival stages alike. This new course from Producertech gives you the opportunity to see for yourself how a dark, heavy, bass house tune is constructed by one of the scene’s leading lights, producer Joel Dawes, renowned for his productions with both Drum and Bass group Klax, and with Deadbeat under the Spoils alias. Known for their hard hitting, garage influenced take on the bass house sound, Spoils erupted onto the scene with their collaborations with producer Monkey Wrench, including the colossal ‘Enemies in the Dance’, released on thriving London based underground label Stripes Records. Spoils again displayed their production prowess on their thumping 2015 Temptation EP release, garnering support from a host of DJs including Hannah Wants, Zane Lowe, Gorgon City and even UK Garage and dance music legend DJ EZ. Alongside this, Spoils have DJed at venues such as London’s Fabric, and were even invited to play a set for dance music institution Boiler Room, one of the highest honours in the electronic music world.
The heart and soul of electronic music is Bass. It pumps the speakers and warms the sound up so that it can be felt by your listener while they groove with your track. If your bass isn’t hitting right and isn’t capturing your listener, your tracks will never be heard by the mainstream market. Artists like Wolfgang Gartner, Zedd, Skrillex and Knife Party rely on their drums and basses to make their tracks huge and impactfull.
