Supersaw Plus VSTi 1.3

Team peace-out | 16.06.2009 | 6.54 MB

Supersaw Plus is a 10 oscillator, 16 voice polyphonic analog-modeled VSTi synthesizer with an effects section (three effects). It is designed to create fat sounds like the classic Roland JP-8000 synth, particularly the supersaw. Like the JP-8000, it has a full range of oscillator waveforms.

Analog One Shots Vol.3

DiSCOVER | August/09th/2017 | 20.9 MB

 All samples are created with analog gear (SSL Etc). Adds analog warmth and fullness to your beats. Only the best quality. All files are in .WAV format (24-Bit – 48khz) and compatible with any DAW or sampler (Pro Tools, Logic Pro, Ableton Live, FL Studio, MPC, Maschine Etc)…

Analog Transmissions

FANTASTiC | 25 December 2021 | 27 MB

We’ve made contact with deep space in order to bring you this selection of 40 intergalactic sounds consisting of loops, one shots, and FX. Add unique atmosphere and textures to your production from our collection of classic analog synths and other noise making machines. Spark your creativity and outside the box thinking with Analog Transmissions.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.

Analog Sequencer Loops

Team ASSiGN | Feb 21, 2013 | 992 MB

Featuring 1,000 loops and over 1.5 Gb of brand new material sourced entirely from analogue modular systems & vintage analogue synths Uniquely inspiring new sample library from one of Europe’s leading synthesists Unpolluted, undiluted and undisputed, ASL, (ANALOGUE SEQUENCER LOOPS) is 100% pure analogue, using only classic analogue synths and hardware analogue sequencers – and superbly captured at 24bit sampling resolution. This superb virtual instrument, developed by ZG and XFonic, is designed to complement the highly acclaimed ‘Morphology’ instrument. ASL is based around a uniquely inspiring new sample library from IAN BODDY, one of Europe’s leading synthesists, featuring 1,000 loops and over 1.5 Gb of brand new material sourced entirely from analogue modular systems & vintage analogue synths and performed solely on hardware analogue sequencers.

Blue Face v1.2.1 WiN MAC

Team RET | 04 Sep 2021 | 57.5MB

..:: VST2, VST3, AAX, x64 ::..

Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ’60s. This is one of the best known fuzz pedals ever made, used to fully blast amplifiers tube stages. We modified the original circuit to get more bite even at minimum settings.

Big Goat v1.2.1 WiN MAC

Team RET | 04 Sep 2021 | 55.7MB

..:: VST2, VST3, AAX, x64 ::..

Big Goat is an analog modeled simulation of one of the greatest fuzzbox ever made in the mid ’70s and used in countless records. The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.