preQursor3 v3.0.0 WiN

Team R2R | 09 October 2025 | 26.2 MB

preQursor3 offers uniquely designed filters with low resonance peaks for reduced ringing artifacts great band separation and narrow notching when attenuating. All four filters are bell-type filters when boosting and have progressive Q factors. preQursor3 introduces Advanced Analog Modelling of preamplifier and filters to make the operation of the plug-in even more precise then previous equalizer emulations. The analog modeling algorithm can be enabled and controlled per instance or globally per group of instances. The latter allows for easy control of the amount of analog-like processing on either selected tracks or all tracks in the mix. All these characteristics result in a processor that not only sounds excellent on acoustic tracks overall mixes or any other application but also allows you to virtually create the input console for all tracks in your mix with easy and convenient controls. In every usage case preQursor3 will maintain the natural feel and definition of the material.

Noble Q v1.8.5 WiN

Team R2R | 09 October 2025 | 20.5MB

PLATFORM: VST2/VST3/AAX(MODiFiED)

NobleQ combines the features of passive program equalizers with a wide range of frequency settings and extended functionality. To make this plug-in a versatile tool, we added several modern features such as an adjustable high pass filter, and the ability to switch the high peak and shelf filters to “Boost” or “Attenuation” modes. NobleQ stands out for its warm sound, its boost and attenuation low-shelf filters, and its combined peak and shelf high frequency processing. The warm and musical sound in NobleQ is made possible thanks to its finest processing utilizing FAT double sampling for natural, analog-like response. We also added an output valve-like rounding algorithm with adjustable processing depth. The low shelf filter actually combines two shelving sections: the first one allows you to boost low frequencies while the other one attenuates them, but is tuned slightly higher. Together, they help to get a rich bottom end without low-midrange muddiness.

Mutator 2.5.10 WiN

Team R2R | Jan 09 2021 | 30 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

The original Mutator, a super sweet stereo analog filter and envelope follower created in the 90s, was an instant success and quickly became a recognizable feature of the 90s sound. Mutator back in plug-in form with the same incredible sound quality as the original hardware plus all the benefits of a modern plug-in.  The Mutator contains two independent voltage-controlled filters (VCFs) similar to those found in analog synthesizers. It works great with any sound source that’s fed into the unit, including guitar, vocals, keyboard, and drums. Use it to give a vintage analog sound to an instrument, create filter sweep effects, mix the original sound source with the mutated sound, and more.

Steinberg Tonic v1.0.0 VST

Team R2R | MERRY XMAS | 1.1 MB

Tonic emulates the characteristics of an analogue filter and is similar to the filter within the Monologue synth. It can be switched between mono and stereo output, has low-pass, band-pass and high-pass modes, various envelope-triggering modes, a step sequencer for LFO shape, and an X/Y matrix pad for additional real-time modulation of any two of the plug-in’s parameters.

BBCMP v1.2.0 WiN

Team R2R | Feb 28 2020 | 13 MB

PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output. The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.