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  • Up and Running with Ableton Live 9 TUTORiAL
    August 16th, 2016 ⚡
    Categories:

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    Up and Running with Ableton Live 9 TUTORiAL

    English | 2h 11m | AVC1 960×540 29.97 fps | AAC 96 Kbps 48 KHz

    Genre: eLearning | Level: Beginner | 492.61 MB

    Discover how to get started creating and recording music with Ableton Live 9 in just two hours. Author and musician Yeuda Ben-Atar starts this course by showing how to set up all audio, MIDI, and external plugins and prep an initial project for recording. Then he jumps into high gear: making beats with the Ableton drum kits, recording with the built-in virtual instruments, and capturing live performance like vocals and guitar. After your tracks are recorded, learn how to arrange song clips, layer in effects, create and record automation, and quickly mix the tracks with groups, busses, EQ, compression, and other techniques. The final chapter in the course shows you how to save, export, and master your finished song.


    Viewed 4786 By Music Producers & DJ´s.


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    Sampling Reality for Ableton Live 9.6.1

    FANTASTiC | August 07 2016 | 572 MB

    ‘Sampling Reality’ – a shape-shifting collection of edgy beats, warped bass, lush vocals and post-industrial melodies. Capturing the essence of the South-West electronic scene,  delivers sharp edits, surgical percussion and heavy bass! All the content is tempo-synced and primed for action from 110-172BPM – making Sampling Reality ideal for HipHop, Electronica, House, Dubstep, Drum and Bass and beyond. Expertly produced drum loops suit the spectrum of musical colours and over 50 drum one-hits are included to make your own rhythm. A sinister collection of atmospheres and fx add to the spectral background, with 18 multi-sampled instruments, putting the power of Sampling Reality at your disposal.


    Viewed 8815 By Music Producers & DJ´s.


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    Twisting Sounds with Ableton Live TUTORiAL

    SYNTHiC4TE | July 30 2016 | 370 MB

    Ableton Live lends itself to some wild sonic manipulation and sound design, and in this video tutorial series, EDM music producer shows you some of his coveted tips and tricks for making unique and crazy sounds. After a brief introduction, Timothy demonstrates how to create single and multiple cycle synths from your existing sample collection, followed by extreme warping techniques, showing you how to make complex sounding textures with Ableton Live’s Warp engine. After that, Timothy reveals how to use multiple instances of the Max4Live LFO to generate randomized effects, as well as how to create a complex, single knob macro to map any devices you want, for creative control.


    Viewed 3291 By Music Producers & DJ´s.


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    Heavyweight Bass Heavy House Ableton Live

    FANTASTiC | July 29 2016 | 1.19 GB

    Heavyweight Bass Heavy House’ was created by the Crazy Dabro brothers who have been the creators of some awesome sample packs aimed straight at the dancefloor Using their wealth of skills. Dabro have made this Royalty-Free sample pack especially designed to crush your subs into submission. ‘Heavyweight Bass Heavy House’ is a journey into fat Electro bass orientated House music. Livening up your studio and speakers this pack has pulled out a rather large amount of fat pulsing Electro basslines and added in plenty of slamming beats with just enough top line synths, effects and even a few handy vocals. The pack tips the scales at 1.52 GB.


    Viewed 6874 By Music Producers & DJ´s.


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    Soulful Hip Hop

    FANTASTiC | July 12 2016 | LiVE: 106 MB | MASCHiNE: 110 MB

    Ableton Live 9.6+ and Maschine 2.4+

    Warm, deep, and brimming with brooding melodic elements from ethereal vocals to lush Rhodes chords and drones. Soulful Hip Hop stretches the genre in to new territories twisting and fusing the sound in to a collage of influences from Jazz to Trip Hop to Post Dubstep. Expertly programmed midi patterns mostly un-quantized off the grid grooves adding immensely to the human feel further enhancing the overall sound and authenticity of the genre.


    Viewed 8966 By Music Producers & DJ´s.


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