Nectar 4 boasts a complete set of tools for mixing, producing, and designing vocals. Explore new modules like Auto-Level for consistency, Voices for vocal layering, Backer for background singers, and Vocal Assistant for easy and powerful processing. Unleash a suite of powerful plugins for complete control over your vocal sound.
AmpliTube software has forged a formidable reputation over the years for offering a comprehensive array of digital tone-tweaking tools, but AmpliTube 5 promises to eclipse its predecessors with with a newly designed GUI that is fully scalable and supports Retina displays, an enhanced user experience, and more gear. A lot more gear. All in, there are 129 new models, making for a total of over 400 gear models in the AmpliTube 5 MAX version, plus cabinet section that has been retooled using new Volumetric Impulse Response (VIR) technology, improving power amp/speaker cab interactions for more authentic tone and feel. The VIR tech was developed by measuring 600 IRs per speaker of every existing and new cabinet model, making for 143,000 IRs in total, allowing for a three-dimensional grid interface for mic placement. You can also now import and load your own IRs. Also new to AmpliTube 5, we’ve got an expanded, fully configurable signal chain that allows you to deploy a wet-dry-wet configuration and experiment with more complicated setups – series and parallel routing? Fill your boots.
New release!!: MixBox, a “500 series”-style virtual rack plug-in for Mac and PC. MixBox includes 70 studio processors and creative effects derived from IK’s T-RackS, AmpliTube, and SampleTank, as well as four new reverb algorithms. It packs these processors into a convenient and intuitive channel strip layout that can be used as a plug-in for any DAW or in stand-alone mode. View the complete gear and effects collection here Users can create and save their own custom channel strips in an 8-slot “rack” that can be used in all major DAWs. With drag & drop routing and a range of advanced controls like wet/dry mix, sidechain and individual processor gain, users can assemble even complex processor chains in seconds. MixBox’s stand-alone mode offers a complete, easy-to-use mixing experience for nearly any situation, with up to eight separate racks of eight processors each. Audio can be fed into a computer from any source such as a digital mixer or audio interface, and the MixBox main panel will offer control over all eight racks at once. Users can load rack presets, add or remove processors from each rack, activate the side-chain and manage input/output channels and gain for each rack, all from one panel.
Hammond B-3X is the next-level organ virtual instrument that delivers an unprecedented new degree of realism and detail to give musicians full immersion into the electro-mechanical Hammond organ experience with all its soul, passion and vibe. Created in close collaboration with both the Hammond Organ Company, of Chicago, Illinois, and Suzuki Musical Instruments Mfg. of Hamamatsu, Japan, the Hammond B-3X instrument captures the authentic sound and vibe of the legendary Hammond B-3, with a comprehensive, wholistic approach. The end result delivers the full sonic impact that this legendary organ has made on generations of musicians and modern music as we know it.
bx_solo to introduce users to the M/S technique for recording, mixing, or mastering. Key features of famous M/S & Mastering products are included, like their unique Solo Buttons, which allow you to individually listen to all components of a stereo mix or stereo signal. Comprehensive solo features include; L (Left channel), R (Right channel), M (Mono sum, mid signal) and S (Stereo-Difference, side signal). This gives users the ability to listen to each component of a stereo mix when working in M/S modes, something modern DAWs often make difficult. bx_solo is also a powerful tool for checking your tracks or mixes for errors, noises, clicks and other problems. bx_solo contains a stepped M/S Stereo Width Control, so you can get a sense of how M/S technology can be used to expand the stereo width of tracks already recorded. Try it out on subgroups, FX returns, keyboards, or any stereo track that you’d like to spread out. A great pro trick is to use M/S processing on a rock guitar subgroup: just set the stereo width to 150% and the guitars will jump out of your speakers!
Enter a sonic imaginarium where hard physics meets soft synth processing. Modus is a virtual world of conceptual instruments, modelled with cutting edge physical behaviours and acoustic properties.
Dynamic Plate Reverb is an effect plugin that uses a physical model of thin plate vibration to recreate the classic sound of plate reverbs.
