The digital world with its clarity and accuracy lacks some vibe from the old times. ‘Create a front door for every recording, and call it Front DAW, guys,’ said he, ‘so that every track would have a true analogue input.’ Thanks to him you can turn your DAW Mixer into a real Analogue Console.
OptoRED is a transparent Optical Attenuator (compressor) based on the classic American unit used on countless hit records. This is part of our new “Enhanced Classics” series. Compression is one of the most important tools in the arsenal of an Engineer, Music Producer & Artist alike. This is now a device that far surpasses its original intent which was to control the level of the sound automatically. Today we use different types of compressors for inducing a “Vibe” & “Feel” to our instruments, percussion, drums, and voice. Digital and Analog Compressors have come a long way, but some classics are still preferred even today because they are now as much a part of a genre or musical style that they are now deemed as musical instruments in their own right.
A special feature of the BBCMP is that it enables the operator to split the incoming signal using the Low Pass and High Pass filters. These then allow you to apply processing (compression, limiting, expansion and gate) to each band independently. Once each band has been processed, the following signal pathway shows you how the separate bands are then summed to produce the final output. The great advantage of processing in this way is that you have full control over the extent to which the 2 bands are processed rather than only the summed signal being processed. This means that if, for example, the low end is strong and pushing the compressor to attenuate the signal when it comes into play, in a standard compressor the higher frequencies would also be compressed at these times. With the BBCMP you can separately control the low end and leave the high end relatively unprocessed, if that is what you need, or conversely deal with the high end and leave the low end with lesser processing.
While all three EQs / saturators look almost the same, aside from their colours, Babelson Audio says that they use different algorithms. The FD1N is nicknamed “British Edition”, while the FD3N carries the label “U.S.A. Edition”. It doesn’t appear that the EQs have been modeled after any specific British or American pieces of hardware…
As you know modulation audio effects are an important part of your mixing tools. They’re the special way to add creativities and groove to sounds. BaBel Mode 1976 effect was originally designed after vintage flanger, vibrato and chorus circuits. It has a few unique features that they were very famous during the 70’s and 80’s. BaBel Mode 1976 is an effective and easy-to-use vintage style Module. It sounds best on guitar, voice and synth tracks.
Rev Plate-140 emulates the classic EMT 140 reverb. Released in 1957, this plate reverb quickly became a studio essential, and now you can have a “circuit accurate” emulation of it in your DAW for nothing. Rev Plate-140 recreates the original’s vacuum tube preamp, and promises a full-bodied sound and a lush tail. It’s designed for use on vocals and for adding glue and space to your mix. Rev PLATE has also taken the opportunity to add a new feature or two: specifically, adjustable pre-delay and a high-pass filter on the input. There’s also an integrated chorus and a post-reverb EQ. Rev Plate-140 runs on PC and Mac in VST/AU/AAX formats.
SpectraLayers is a new approach to audio editing, with new concepts to transform the way you work. For the first time you can directly edit spectral data, opening advanced sonic worlds, and use innovative enhancements to traditional techniques. Visualize audio in astonishing new ways, including 3D. Work with mixes like they were tracks. Integrate these abilities into your DAW and other tools. And all in a familiar interface that you didn’t realize you already knew.
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