Evo Channel v20.12.0 WiN

Team R2R | Jan 02 2019 | 11.9 MB

PLATFORM : WiN64 – VST/AAX(MODiFiED)

The Ultimate Channel Strip Redefined !

The philosophy of the analog Channel Strip, the essential element of all analog consoles, is about being efficient, fast, and making things sound great already from the start. EVO Channel is designed to be as efficient, fast and hands-on, adding the advantages of creative digital innovation in terms of workflow and sound, providing everything you need to stay in control of your sound!

Native Channel Strip 2 WiN

Team R2R | 29 September 2021 | 20.1MB

..:: AAX*, VST2, VST3, x64 ::..

The SSL Native Channel Strip 2 Plug-in delivers the legendary tone, features and workflow of an SSL 9000K console channel strip, now featuring SSL’s proprietary ‘Anti-Cramping’ technology and external Side Chain input. The EQ section is a classic 4-band design with parametric LMF & HMF and shelving LF & HF sections (LF & HF switch to Bell). The whole EQ can be switched between E & G Series characteristics and can be applied to the dynamics side chain. The Dynamics section offers separate Compressor and Gate/Expander. The Compressor can be switched between soft and hard knee. Both the Compressor and Gate/Expander sections feature fast/slow attack switches and independent side chains. The plug-in also features High and Low Pass Filters which can also be applied to the side chain. Perfect for smoothing, controlling and adding presence to any source material.

Musiqual Bundle MkII v1 WiN

Team RET | 30 August 2021 | 34.61 MB

.: VST3/AAX/x64 :.

The Musiqual tools encapsulate all the characteristics and inner workings of their analog counterparts, providing the user with a simple way to achieve the perfect combination of tone and colour. Each unit consists of a Single Band EQ -with carefully selected and tuned frequency bands-, a Harmonic Distortion component and a Compressor, recreating the sound of the much appraised analog gear. Red for Tube, Green for Transistor and Blue for Class A; all together creating a unique and powerful set of tools to add a warm, analog flavour to your sound, with precise control over the amount of coloration, harmonic distortion and compression applied.

Production Suite Pro WiN

Team V.R | 18 December 2021 | 957 MB

(Win64; AAX, VST3, VST, STANDALONE)

Music Production Suite Pro | All the tools you love, always up to date | A suite of professional audio production tools to help you deliver the highest quality sound to your clients. Plug-ins that listen to your audio… and to each other | Music Production Suite Pro is the only audio plug-in subscription that uses AI-powered processing to give you a customized starting point for every step of the mix, from assigning reverb to adding the final mastering polish. With inter-plugin communication, your iZotope plug-ins listen to each other to detect masking between your tracks and vocals, help suggest level balance settings, and even let you mix your tracks in a visual space.

PadShop Pro v2.0.30 WiN MAC

P2P | 30 August 2021 | Library: 5.51 GB | Plugin: 273 MB

(Win/Mac64; AU, AAX, VST3, VSTi, NKS)

Padshop Pro is an enhanced version of Steinberg’s state-of-the-art VST granular synthesizer and comes with several new effects and opportunities to fit the requirements of professional sound designers and skilled creatives. The Pro version offers the import and manipulation of custom samples in a way that will alter your perception of sound forever.

Omega 458A v1.1.0 WiN

Team R2R | 16 Nov 2021 | 6.2MB

PLATFORM: VST/VST3/AAX(MOD)

Rarefied tube emulation with a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh. This rarefied tube emulation has a fat tone that breaks up in delicious ways, growing increasingly crusty but never harsh, turning cymbals from brass to gold, and gluing bass into a molten fiery blob of love. Pairs perfectly with the Omega Mic Pre.

God Mode v2.0.1 WiN MAC

FLARE | 08 September 2021 | WiN: 5.58 MB | MAC: 7.70 MB

..:: VST, VST3, AU, AAX, x86, x64 ::..

The God Mode introduces a new push-pull technology giving you full control over what frequencies to saturate and distort. It’s node EQ graph and linear phase filters allow for unlimited options to shape the coloration of your sound. The push-pull technology is inspired by the legendary analog Pultec EQ, a passive tube eq from the 50s, widely used in the 70s/80s for both broadcasting and mixing. The Pultec EQ would ‘push’ the gain for a certain frequency range into its tube circuit, and would then ‘pull’ it back again, to smooth out the frequency response. This creates a sound close to the original but with a nice warmth added to the boosted frequency ranges. The God Mode introduces a modern version of this technique. The first step to using the God Mode is to boost or ‘push’ certain frequencies in your track that you like to be more saturated or distorted. You can for example use one shelf to boost the highs and one peak to boost a certain color or resonance. Because you push these frequencies harder into the saturation algorithm, they will be naturally more affected by it. The second step is to decide if and how much ‘pull’ to apply to the boosted frequencies. This gives you creative control over the amount of coloration and the option to create a perfectly balanced frequency response for your track.