REDDI v1.0.3 WiN

Team R2R | 24 Sep 2021 | 10.4MB

..:: VST, VST3, AAX, x64 ::..

The original hardware REDDI is a legend among professional session players and commercial studio owners. Its hybrid tube/solid state gain circuits, beefy transformer, and oversized power supply have an uncanny ability to both reign in bass transients and punch them up. Without any eq – simply through its gentle tube shimmer – REDDI gets bass, synths, and guitars to ’sit’ in the mix with less processing and fuss. The REDDI plugin, then, is designed to be used as any analog DI would: first in the chain, as an initial treatment before compression, saturation or eq – imparting its unique tube sweetness to any instrument in your mix.

KORG LegacyCell v1.6.0 WiN

Team RET | 26 August 2021 | 16.16 MB

PLATFORM: STANDALONE/AAX*/VST2i

Introducing Legacy Cell from Korg, a Performance based plug-in that lets you freely combine two instances of the MS-20 and/or Polysix together along with a dual-effects processor for even more dynamic and unique sonic creations! It offers 127 presets with plenty of room for your own combinations. The MDE-X effects processor offers everything you could want from reverbs and delays to distortion and even the MS-20’s filter section is available as an effect. A virtual Korg microKontrol is built-in to the Legacy Cell too for real-time assigning and manipulation of any editable parameters, and it works instantly with a real microKontrol too! The bottom line with this whole package is great plug-ins, great sound, great results, great price!

.:Blyss v1.1.0 WiN:.

Team R2R | 2021.10.22 | 52.48 MB

PLATFORM: VST/VST3/AAX(MOD)

A mastering-style EQ, sandwiched inside six stages of delicate Saturation, feeding a dead-simple ‘finishing compressor’. It’s an EQ with a vibe, the likes of which could only come from Kush. Blyss Mastering Channel is a 3-stage processor designed specifically to make busses — both mix and instrument — sound “prettier”. It also happens to sound incredible on individual tracks too. While it has multiple cascading Saturations, a 6-band EQ and a mastering grade Compressor, all sections have been greatly simplified to reflect old-school approach to processing: less is more, choices are limited but comprehensive, and all sections are designed to work together, making it nearly impossible to produce a bad sound.

Electra DSP v1.6.0 WiN

Team R2R | 2021.10.22 | 12.93 MB

PLATFORM: VST/VST3/AAX(MOD)

The hardware Electra EQ set a high standard for fast, smooth, punchy equalization, and the Electra DSP’s precisely modeled filters embody that spirit flawlessly. The high shelf is surprisingly flexible, the bass reaches down to the floor. But those midrange filters have a magic proportional-Q, the more you boost the tighter they get. They’re so articulate, they can make drums sound like they were tuned and even mic’d differently. No matter how aggressively its set, Electra is relentlessly smooth and unapologetically analog in character.

Molot GE v1.0.4 WiN MAC

P2P | 22 October 2021 | MAC: 21.3 MB | WiN: 8.53 MB

..:: VST2, VST3, AAX, AU ::..

Russian for “Hammer”, Molot is the name of a popular dynamic compressor originally released in 2011 by Vladislav Goncharov. With a modernized concept, extended flexibility, and a generous dose of Rock ’n Roll, Molot GE proudly takes over the job of its predecessor. Molot GE is a particularly characterful dynamic range compressor melding several classic compression mechanisms with sophisticated saturation, creative tone control, and a snappy peak limiter. Whether it be mellow leveling, tight dynamic control, or aggressively vibrant compression, Molot GE covers a remarkable wide range of compression colors. While Molot GE doesn’t emulate any “vintage” device, its sound and behavior was definitely inspired by their most interesting musical peculiarities. This flexibility makes it suited for almost any source, be it drums asking for more crisp and impact, solidification and enrichment of vocals, or the enhancement of guitar and bass recordings of all types.

SEQ-S Bundle v1.3.0.7 WiN MAC

Team R2R | 18 Oct 2021 | WiN: 5.2MB | OSX: 11.3MB

SEQ-S Linear Phase EQ is a plug-in that provides sonic sculpting and EQ matching up to 7.1, with stereo mid-side operation and automated spectrum analysis. The software allows for manipulating and correcting any audio with higher resolution than can be achieved with a traditional parametric EQ interface. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune audio. Additionally EQ matching via sonic fingerprinting provides some unique possibilities. The plug-in can be used to match one recording to another by capturing the “flavor” of the source audio and then transferring it to the current work. This is especially useful for restoration and harmonization work. Or same technique can be applied to individual tracks to unify different takes, microphone positions, and more.

Pultec Bundle v11.0 AAX WiN x64

Team AudioUTOPiA | Dec 20 2015 | 23 MB

Finally, work with digital equalizers that look, sound, and behave like real analog EQs. Pultec equalizers deliver smooth, sweet EQ and an extremely high-quality tube audio signal path. And like most studio classics, they’re incredibly easy to use. Grab a knob, give it a twist, and everything just sounds great. Every time. Use them anywhere you’d use the originals—on individual tracks, critical vocals, or across a stereo mix for mastering applications.