Add natural-sounding claps and snaps to your music with Hand Clap Studio. This instrument plugin is the ultimate tool for handclaps and finger snaps that fits your production perfectly. Soft and dry finger snaps for your acoustic ballad, or hard-hitting claps soaked in reverb for your next club banger–Hand Clap Studio has you covered with just a few easy tweaks of the controls.
The AcidBox V2 is a bass line synthesizer, a recreation of the iconic 303 bass line synthesizer from the 80’s with a new interface, which makes it easier to create real-time sequences and tweak them in a live situation. Get your live performances further with ACID BOX, a bass line synthesizer with custom functions, a 16 to 64 steps sequencer, and 6 integrated effects. A simple tool for real-time creation. AcidBox is inspired by works from Techno and House artists like Daft Punk, Aphex Twin or Laurent Garnier, with their use of vintage 80’s synthesizers and influences stemming from the Acid House genre.
Simulate the dust, scratches, warp, and mechanical noise reminiscent of yesteryear for FREE with Vinyl. Perfect for music production and audio post, Vinyl lets you control each nostalgic element independently, giving you all the vintage turntable sounds you love, save for the headache. Control each of Vinyl’s characteristics independently, introducing noise, saturation, warble, crackling and more without introducing associated audio side effects. Dial in as much or as little of each to add something unique to individual tracks or give a full-on nostalgic treatment to an entire mix. It’s all the lo-fi sounds you want, with none of the lo-fi sounds you don’t.
Originally part of the first Korg Legacy Collection and later the Korg Legacy Collection: Analog Edition 2007; the MS-20 is now available individually. As the original manufacturer, Korg is uniquely qualified to recreate our vintage analog synthesizers as software instruments. Magesy Korg’s proprietary Component Modeling Technology (CMT) recreates the original circuit path and analog signal flow, to provide results that are completely faithful to the original hardware. The MS-20 is designed to run as a stand-alone program; or as a VST, AU or RTAS Plug-in, making it compatible with nearly any DAW software studio package. The MS-20 software synthesizer provides a complete simulation of its legendary original. In addition, it gives you modern advantages such as up to 32 voices of polyphony and up to 16-voice unison (with detune/spread function). Flexible external modulation settings and MIDI clock synchronization have also been added, giving you even greater creative potential.
The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.
MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 can be used sound design, recording, mixdown sessions – even live performance!
Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.
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