With PORTAL, granular synthesis takes your sounds to another dimension. Easily alter any audio input—VSTs, drums, vocals, live guitar, you name it—in a new and musical way.
Filtering and sound shaping is essential, when it comes to balance out recordings, fitting signals into the mix or doing creative sound design. But what might be great for the loud part of the signal, is not necessarily good for the quiet part and reverse. Dynamic EQs are around for quite a while and are doing a great job on dynamic selective filtering. On the other hand, dynamic EQs can be a little bit difficult to understand, especially when it comes to below and above the dynamic threshold of the processing and it is also hard to deal with complex filter curves. Therefore, we invented a complete new but very simple approach to dynamic selective processing. This not only allows to add complex filtering curves very fast, but also analog style saturation and stereo widening. We call it Dynamic Split Processing.
SLAP is the wild child among our bassists. A modern, sophisticated and off the wall virtuoso. Forget about cheesy slap sounds à la Seinfeld! Driving your song with character and soul, this is the ever energetic creative live wire. In parallel there’s all the reliable professionalism you expect: SLAP shows up on time and lays down incredibly realistic basslines. Best of both worlds! With SLAP you will compose impressive bass performances easily.
At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company’s first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.
The SLP 538 EQ is your new channel EQ if you like to actually finish mixes. We started with producer SP’s favorite, criminally underappreciated, streamlined variant of the best sounding console EQ. Then we genetically spliced it with the sought-after stepped-knob workflow of its direct competitor, delivering the best of all hardware tone shapers in one impossible plugin. To make this the last EQ you’ll ever need, it also has auto gain to stop volume creep, built-in filters, phase inversion, and our obligatory THD knob. It sounds good on practically everything. Our mission is to make every EQ move effective and obvious by cutting out variables, giving you a sound you love as fast as possible. Forget staring at squiggly yellow lines for hours; it’s time to stop letting your eyes dictate your sound.
![Nest v1.0.2 WiN-R2R [PROPER]](https://www.magesy.blog/biocontent/uploads/2021/10/Nest-v1.0.2-WiN-MAC.jpg)
Nest is a modular system which gravitates around the creation of MIDI. The basic ingredients are: 20 modules inspired by classic integrated circuits and today’s computer features, a clever voice to synth assignment, 12 patch scenes and a quad VST/Synth/MIDI Interface.
The makers of RX bring you the next indispensable tool for post production. Keep your audience in the moment with seamless dialogue recordings.
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