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  • Solo v1.2.13 macOS-MORiA
    June 10th, 2022 ⚡
    Categories: AU, Audio Software, macOS, VST3, x64

    Solo v1.2.13 macOS-MORiA

    Solo v1.2.13 macOS

    MORiA | 10 June 2022 | 994 MB

    PLATFORM: AU/STANDALONE/VST3

    Welcome to SOLO, a new virtual instrument that authentically recreates the sound of modern world music. Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO. Welcome to a new world of sound.



    Viewed 10902 By Music Producers.

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    • Solo v1.2.12 WiN MAC-MORiA
      May 25th, 2022 ⚡

      Solo v1.2.12 macOS-MORiA

      Solo v1.2.12 WiN MAC

      MORiA | 26 April 2022 | WiN: 78.17 MB | MAC:78.11 MB

      PLATFORM: STANDALONE/VST3/AAX(MOD)

      Welcome to SOLO, a new virtual instrument that authentically recreates the sound of modern world music. Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO. Welcome to a new world of sound.



      Viewed 22842 By Music Producers.


      • KORG MDE-X v2.3.1 macOS-MORiA
        May 25th, 2022 ⚡

        KORG MDE-X v2.3.1 macOS-MORiA

        KORG MDE-X v2.3.1 MAC

        MORiA | 25 May 2022 | 5.5MB

        MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg’s Digital Recorders, TRITON synthesizers, and effects processors. Equipped with 128 immediately useful and editable effect programs, the MDE-X v1.2 can be used sound design, recording, mixdown sessions – even live performance!



        Viewed 9546 By Music Producers.


        • KORG M1 v2.3.2 AU VSTi STANDALONE macOS-MORiA
          May 25th, 2022 ⚡

          KORG M1 v2.3.2 AU VSTi STANDALONE macOS-MORiA

          KORG M1 v2.3.2 macOS

          MORiA | 25 May 2022 | 78 MB

          ..:: AU, VSTi, STANDALONE :::.

          Introduced back in 1988, the M1’s popularity steadily grew to exceed an amazing 100,000 users. As the first workstation synthesizer, it was a definitive element in the sound of the late ‘80s through early ‘90s. Along with its innovative “workstation” concept, the M1’s “AI” (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully magesy complete program and combination sounds. As a pioneer of PCM tone generation, it was notable not just for the reality of its sound, but also for the distinctive resonance and tonal character that demonstrated the high level of Korg’s voicing technology. From the famous “M1 Piano” sound through electric pianos, organs, synth pads, drums, and picked basses, numerous sounds available only from the M1 were taken up by musicians and producers around the world, and are still in use today. Although today’s high bit-rate and high sample-rate sound libraries deliver greatly improved audio quality, it is difficult to find sounds with real presence, sounds that can’t be described purely in terms of specifications – sounds that are available only from the M1. The M1 software synthesizer reconstructs the M1’s sound engine into an eight-part multi-timbral tone generator featuring up to 256-note polyphony.



          Viewed 36123 By Music Producers.


          • KORG Polysix v2.3.1 AU STANDALONE VSTi macOS-MORiA
            May 25th, 2022 ⚡

            KORG Polysix v2.3.1 AU STANDALONE VSTi macOS-MORiA

            KORG Polysix v2.3.1 MAC

            MORiA | 25 May 2022 | 14.6 MB

            ..:: AU, VSTi, STANDALONE :::.

            The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day. In addition to faithfully replicating the sound of the original, the Polysix software synthesizer also adds enhancements such as 32-voice polyphony (max), up to 16-voice unison (with detune/ spread function), flexible external modulation settings, MIDI clock synchronization, and a spread function that adjusts the spaciousness of the effects — functionality that brings this classic synthesizer up to date for modern music production. The interface provides reorganized knobs and switches that resurrect the Polysix in a contemporary “rack-mountable” form for even more intuitive operation and sound-creating versatility



            Viewed 13965 By Music Producers.


            • KORG MonoPoly v2.3.1 macOS-MORiA
              May 25th, 2022 ⚡

              KORG MonoPoly v2.3.1 macOS-MORiA

              KORG MonoPoly v2.3.1 MAC

              MORiA | 25 May 2022 | 17.1 MB

              .: AU, VST2i, STANDALONE :.

              The Mono/Poly is Korg’s four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg’s experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities, these two magesy instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg’s best synthesizer yet, with a number of unique characteristics. It provided four VCOs, each providing adjustable pitch, waveform, octave, and level, which could be stacked together for massive sounds, or cycled through one at a time for constantly shifting timbres. Together with one VCF, one VCA, two EGs, and two MGs it provided a powerful yet accessible programming structure.



              Viewed 15056 By Music Producers.


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