The awe-inspiring soundtracks of medical cinema. This fine collection of six mini Construction Kits and Voiceovers is geared towards soundtrack composers and experimental producers alike. As ever with the ‘Cinematic Series’, sound design is key. Many months of planning and studio time was dedicated to re-imagining the medical genre.
‘CHROMA’ is an atmospheric selection of Cinema -ready Vocal Phrases, Chants and Spoken Words that are sure to bring a unique dreamy vibe to your cinematic productions. These vocals have been recorded with the utmost care and attention using the greatest mics, hardware and outboard gear. The result is a collection of lead and backing vocals that can be used to your Cinematic and Film Scoring Sessions.
Chilled and relaxing content, featuring 222 mind-soothing loops and samples. This mesmerizing collection gives you the ability to travel to different realms and dimensions.. From mystical and spiritual atmospheres to blessed-out chords, ethnic world instruments to orchestral plucks, smooth analogue synths to otherworldly textures, grainy broken beats to organic field recordings, calming river sounds to soften waves, heavenly basses to ethereal bass grooves to deep serene melodies, ethno percussions to hypnotic drums and magical fxs.. all these sounds will add a sense of depth and richness to your production. In detail this pack includes 150 Loops range from 80 to 100 BPM, 72 One-shots and 2 Battery Kits.
CineWinds CORE Library, a next-generation orchestral woodwinds library recorded in the legendary SONY Pictures Scoring Stage in Los Angeles, and mixed by master engineer Dennis Sands (The Avengers, The Shawshank Redemption, Back to the Future, Forrest Gump, American Beauty).The CineWinds CORE Library covers the essentials of the orchestral woodwinds section, and as always, we focus on simplicity and unparalleled recording quality. Each instrument has been meticulously sampled to cover the nuance and detail of these, while maintaining ease of use for the composer. CineWinds CORE Library provides a strong foundation of expressive woodwinds for our composing templates.
The CineStrings CORE Library is orchestral string sample library for Kontakt. Recorded at the world famous SONY Pictures Scoring Stage in Los Angeles, and mixed by veteran legend Dennis Sands (Spiderman, Argo, Avengers, Back to the Future, Forrest Gump, Shawshank Redemption, American Beauty, and 250+ more). The CineStrings CORE Library covers the essentials of the orchestral string section, and functions as a foundation in any scoring pallette
This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.
This collection of sounds is generated using vintage synthesizers, live orchestral recordings and complex offline digital signal processing platforms such as Kyma, Csound and CDP. It is the first in a collection of lush, cinematic textures for film composition, electronic music and anything that requires, expensive, expansive textures and ambient sound beds. This collection exclusively explores granular and molecular, complex sound treatments. Many of the textures can be used as full compositions in themselves. Some are 2-3 minutes long with dynamic, shifting morphing, deeply layered granular timbres and textures. The way I use these in my own work are : 1. As an inspiration for a new composition. Grab a handful of textures in say F#, pull them into your DAW, crossfade, layer, fade in and out, eq to taste (many are full spectrum so if your using more than one, best to high pass filter all but one), add reverbs and panning and you have the basis of a full composition.
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