The Lem Echo Music recreates the nostalgic tones of the vintage Italian tape delay effect from Lem. This authentic emulation simulates the classic sound of three playheads on one strip of tape, with all the characteristic wow, flutter, and degradation of the original.
Introducing The AX Chorus is based on the ACE modeled MN3009 Bucket Brigade (BBD) chip found in both the AX73 and AX60 synthesizers. We developed our plugin with the chorus 100% the same as the mono input versions found in the original synthesizers and then added the option of making it a stereo effect. As Akai never released the chorus as a separate effect we envisioned how it could have looked in the 1980s, and have included both the AX73 and AX60 chorus effects in one unit.
The Colorsound Tremolo AU/VST plugin, tested and authorized by Macaris, recreates the famous Colorsound Tremolo effect pedal used by Green Day, Joe Bonamassa, and Phil Manzanera among other well known guitar players. The Colorsound Tremolo was created using our trademarked ACE modelling technique to bring precise recreations of both the 1974 and 1996 models into modern DAW applications. With the added capabilities of stereo and tempo sync, it’s the new “go to” tremolo effect plugin for achieving that sweet vintage vibe on any audio track! Includes recreations of both the 1974 and 1996 version of the original pedal.
Comp 609 recreates sound of the hardware compressor from ’70s. This dynamics processor packs a recognizable musical punch heard on countless records around the world. Designed from the ground up for fast, efficient work on mid/side, stereo and the objects, the beds (fixed channels) of immersive mixing environments.
The AXFX AAX/CLAP/VST2 8-unit effect rack plugin is based on the “external” effects from our flagship AX73 synthesizer. The AXFX lets you use these 8 versatile 1980s style effects on any synth, guitar, vocals, or other audio source. The AXFX includes over 100 presets designed by renowned sound designers such as Daniel Stawczyk, Charis Linos, and Solidtrax. For more information, check out the searchable online manual.
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar. Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths. With four analog oscillators across two synth layers, unique modulation features, extended performance options, and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of the original hardware and more – no menu diving required, and all perfectly modeled through our Advanced Circuitry Emulation technology. And, it includes a generous lineup of 600+ inspiring presets to get you started right away.
The Kee Bass is a monophonic string bass simulator from 1960s.
ELKA Panther was one of the most famous organs in 60s’ and 70s’ popular music. This is what ELKA said about the Panther Combo Organ in their 1960s’ brochure: “The PANTHER Combo Organ invites you to a new world of musical excitement. Compressed into her sleek, slender frame is a fantastic variety of thrilling organ sounds. The PANTHER is poised, waiting for your musical commands. Ask her for a biting, swinging attack and she’ll leap with ecstasy! Try her on solo and her tingling trebles will penetrate across the biggest room. Taunt this wildcat and her roaring bass tones will overwhelm the noisiest crowd. The PANTHER’s full-throated voice box houses all of the natural sounds of the orchestra, and she’ll mix them in an infinite variety of combinations to fit any mood. She’s a big theater organ, or a power-packed combo organ, or a pulsating solo organ, ready to respond instantaneously. Set her up in a couple of minutes and she’s ready for action! Rock ‘n roll, swing, jazz, or a ballad you name it and this transistorized cat will play it like no other organ in the world.”
M-Blender creates space in a mix by cleaning up clashing frequencies between tracks. It uses true spectral processing to dynamically carve space for the side-chain signal and prevent frequency masking. Now, achieving exceptionally clear mixes demands minimal effort on your part. No more clutter or frequency masking issues in your mixes. It’s common to have tracks that share similar frequency ranges in a mix, which can lead to frequency masking issues. The M-Blender allows you to effectively resolve this problem without sacrificing any dimension in your sound staging, thanks to its accurate spectral processing algorithm.
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