TCC Plugins Collection WiN
Team R2R | 23 December 2024 | ~900MB
At TCC we design tools. Tools for human operators. Tools for Post Production, Sound Design and Music.
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At TCC we design tools. Tools for human operators. Tools for Post Production, Sound Design and Music.
As a sound professional, there are times when you simply can’t afford to throw away a recording contaminated by noise and/or reverberation! An actor’s genius performance, a singer’s perfect vocal take, a musician’s moment of true inspiration: in all these cases you have to save the original sound. ERA-D is your new tool of choice for fast and efficient post-processing! Outside the protected environment of the studio, noise and reverb are simultaneously present and continuously interact with each other. The patented processing engine of accusonus ERA-D is well aware of that. ERA-D is the first restoration plug-in that simultaneously removes noise and reverberation by design and therefore provides unimaginable performance improvement over existing tools. Despite the complexity of the processing engine, ERA-D comes with an intuitive user interface to manage noise and reverb problems faster and more effectively than any currently available workflow. ERA-D automatically estimates reverb and noise and provides the means to reduce them with just two knobs, achieving high quality enhancement in less than a minute. And for those times where exhaustive focus on the details is needed, ERA-D offers a panel of advanced settings as well as the ability to surgically process across user-defined spectral bands.
An intimate upright piano recorded in Dartmoor, UK. Tape mode for an instant vintage warmth, with every note run individually through a tape deck. Paper mode for a unique plucky bounce, recorded with masking tape over the piano strings.
Trompeta Latina VSTi is a beautiful sounding customer requested VST plugin that includes different Latin styles of playing as well as multiple articulations and velocity layers. All these trumpets were recorded, sampled and edited in our state of the art facilities in Las Vegas, Nevada United States of America.
Wavesurfer is a revolutionary multi-effects processor that combines vintage effects, full of analog warmth and character, with cutting-edge neural processing. This drag and drop modular effects plugin is highly intuitive and versatile. Use it for anything from subtle mixing tasks to crafting complex new soundscapes. Ride the waves of sonic discovery.
Residue is a 6 oscillator ambient/drone synth. With a simple layout and access to all controls on the one page.
Inspired by the elegant resilience of nature’s most iconic shelter, P19 IGLOO is not just a compressor—it’s a dynamic sculptor built to endure extremes, just like its namesake. At the heart of IGLOO is a novel recoil peak compression engine that reacts against gain reduction, preserving the punch, openness, and clarity of your audio—even under heavy processing. P19 IGLOO quickly earned its place as a go-to drum compressor — delivering serious punch without sacrificing musicality or smearing your transients. It hits hard, but stays alive.
Tetrad is a hybrid instrument based on physical modelling and granular synthesis. A unique quad bus signal chain feeds 4 modelled plates alongside a full modulation matrix, creating a soundscape that rewards experimentation. Tetrad is like no other synth you’ve ever used. The plugin takes four oscillators, routes them in combination through a Quad AM processor that works like a pseudo-sequencer, a specifically tailored Granulator, and four physically modelled plate resonators. Inspired by Gadi’s sculpture-based synth installation, as heard on the album Modes of Vibration, Tetrad was originally devised as a complement to the slashed plates and sound generators of the experimental setup, but has grown into a plugin instrument that puts the capabilities of the installation into a single piece of software in a DAW.
Over his long career, multi-platinum award-winning Super Producer / Engineer D.B has developed an amazing workflow to blend multiple reverbs applied to a channel or a bus for a layered and nuanced sound. What happens when you take that workflow and wrap it around a custom reverb engine that provides the key reverb patches that he has dialed in and used on the classic recordings he is known for? You get DBVerb! DBVerb replicates 12 of David’s favorite reverb patches. The plug-in also implements his signature workflow for dialing in the perfect reverb by putting 4 different reverbs in parallel, each with a dedicated fader to allow you to quickly blend the contribution of each verb into the overall response.
CGII is comprised of two uniquely complementary dynamics enhancement sections, a new True Peak Limiting stage, DC blocking and dither with LUFS/true peak metering via spiffy tube filament displays, all operating at up to 16x over-sampling (or none at all – depending on your tastes). The design prioritizes musical integrity and ease of use, with the ability to add effective loudness, weight and definition without diminishing spatial depth and visceral impact the way traditional dynamics processors often do. Use CGII to make your masters loud without losing the clarity, density and heft of the original mix. Even if you are working with a mix that is already loud, you can give it a little extra, without adding unpleasant distortion and without flattening out the material and sucking the life out of the low end. At the same time you can control the true-peak level of the program to ensure that there are no inter-sample overs.
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